Results 251 to 260 of about 102,254 (307)

Hedonic experiences emerge from an orchestrated balance of synergistic and redundant information processing

open access: yes
Kathofer M   +13 more
europepmc   +1 more source

Emotional Processing After Severe Traumatic Brain Injury: Insights from Functional MRI and Pupillometry

open access: yes
Kazazian K   +11 more
europepmc   +1 more source

Music Distortion: A New Technique for Behavior Modification

open access: closedThe Psychological Record, 1970
Distorted music (extreme “wow and flutter” plus intermittent brief interruptions) was made contingent upon disruptive rocking behavior of a blind, retarded S using an escape-avoidance design. Conditioning, extinction, re-conditioning, and intermittent reinforcement procedures demonstrate the aversiveness of music distortion.
Robert J. Greene   +2 more
openalex   +2 more sources

Distortion Estimation in Compressed Music Using Only Audio Fingerprints

open access: closedIEEE Transactions on Audio, Speech, and Language Processing, 2008
An audio fingerprint is a compact yet very robust representation of the perceptually relevant parts of an audio signal. It can be used for content-based audio identification, even when the audio is severely distorted. Audio compression changes the fingerprint slightly.
Peter Jan O. Doets   +1 more
openalex   +3 more sources

Recognition of Music Scores with Non-Linear Distortions in Mobile Devices

open access: closedMultimedia Tools and Applications, 2017
Optical music recognition (OMR), when the input music score is captured by a handheld or a mobile phone camera, suffers from severe degradation in the image quality and distortions caused by non-planar document curvature and perspective projection.
Quang-Nhat Vo   +3 more
openalex   +2 more sources

Electroacoustic distortions: Multidimensional analysis of hearing aid transduced speech and music

open access: closedICASSP '78. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005
The detrimental effects of electroacoustic distortions on quality judgement of speech and music was investigated using a posteriori techniques of multidimensional scaling. Evaluative data consisted of preference and similarity judgments from pairwise presentation of 12 hearing aids to normal listeners.
Al Yonovitz   +3 more
openalex   +2 more sources

System And Methods For Recognizing Sound And Music Signals In High Noise And Distortion

open access: closedThe Journal of the Acoustical Society of America, 2011
A method for recognizing an audio sample locates an audio file that most closely matches the audio sample from a database indexing a large set of original recordings. Each indexed audio file is represented in the database index by a set of landmark timepoints and associated fingerprints.
Avery Li-Chun Wang, Julius O. Smith
openalex   +2 more sources

A History of Distortion in Music Production

open access: closed, 2023
Clive Mead, Gary Bromham, David Moffat
openalex   +2 more sources
Some of the next articles are maybe not open access.

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Gender, Music, and Distortion Product Otoacoustic Emission Components

Ear & Hearing, 2013
The prevalence of personal music (PM) system use with earphones is high among young adults. Although previous research has demonstrated that the majority of these adults may not be listening at levels or for durations considered dangerous, the long-term consequences of PM system use are not fully understood. In this report the relationship between self-
Peter, Torre   +4 more
openaire   +2 more sources

Perceived naturalness of spectrally distorted speech and music

The Journal of the Acoustical Society of America, 2003
We determined how the perceived naturalness of music and speech (male and female talkers) signals was affected by various forms of linear filtering, some of which were intended to mimic the spectral “distortions” introduced by transducers such as microphones, loudspeakers, and earphones.
Brian C J, Moore, Chin-Tuan, Tan
openaire   +2 more sources

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