Results 251 to 260 of about 102,254 (307)
Music Distortion: A New Technique for Behavior Modification
Distorted music (extreme “wow and flutter” plus intermittent brief interruptions) was made contingent upon disruptive rocking behavior of a blind, retarded S using an escape-avoidance design. Conditioning, extinction, re-conditioning, and intermittent reinforcement procedures demonstrate the aversiveness of music distortion.
Robert J. Greene +2 more
openalex +2 more sources
Distortion Estimation in Compressed Music Using Only Audio Fingerprints
An audio fingerprint is a compact yet very robust representation of the perceptually relevant parts of an audio signal. It can be used for content-based audio identification, even when the audio is severely distorted. Audio compression changes the fingerprint slightly.
Peter Jan O. Doets +1 more
openalex +3 more sources
Recognition of Music Scores with Non-Linear Distortions in Mobile Devices
Optical music recognition (OMR), when the input music score is captured by a handheld or a mobile phone camera, suffers from severe degradation in the image quality and distortions caused by non-planar document curvature and perspective projection.
Quang-Nhat Vo +3 more
openalex +2 more sources
Electroacoustic distortions: Multidimensional analysis of hearing aid transduced speech and music
The detrimental effects of electroacoustic distortions on quality judgement of speech and music was investigated using a posteriori techniques of multidimensional scaling. Evaluative data consisted of preference and similarity judgments from pairwise presentation of 12 hearing aids to normal listeners.
Al Yonovitz +3 more
openalex +2 more sources
System And Methods For Recognizing Sound And Music Signals In High Noise And Distortion
A method for recognizing an audio sample locates an audio file that most closely matches the audio sample from a database indexing a large set of original recordings. Each indexed audio file is represented in the database index by a set of landmark timepoints and associated fingerprints.
Avery Li-Chun Wang, Julius O. Smith
openalex +2 more sources
A History of Distortion in Music Production
Clive Mead, Gary Bromham, David Moffat
openalex +2 more sources
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Gender, Music, and Distortion Product Otoacoustic Emission Components
Ear & Hearing, 2013The prevalence of personal music (PM) system use with earphones is high among young adults. Although previous research has demonstrated that the majority of these adults may not be listening at levels or for durations considered dangerous, the long-term consequences of PM system use are not fully understood. In this report the relationship between self-
Peter, Torre +4 more
openaire +2 more sources
Perceived naturalness of spectrally distorted speech and music
The Journal of the Acoustical Society of America, 2003We determined how the perceived naturalness of music and speech (male and female talkers) signals was affected by various forms of linear filtering, some of which were intended to mimic the spectral “distortions” introduced by transducers such as microphones, loudspeakers, and earphones.
Brian C J, Moore, Chin-Tuan, Tan
openaire +2 more sources

