Results 261 to 270 of about 102,254 (307)
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Distorted Music Score Recognition without Staffline Removal
2014 22nd International Conference on Pattern Recognition, 2014This paper proposes a new approach for recognizing the primitive musical symbols in distorted music scores without the staff line removal. We try to overcome two main issues. The first problem is the difficult and unreliable removal of staff lines required as a pre-processing step for most of recognition systems.
Quang Nhat Vo +4 more
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Space-induced distortion of starting transient of musical sound
The Journal of the Acoustical Society of America, 1999Musical sound can be defined as complex sound that begins with a starting transient followed by a (more or less) steady sound and ends with a decaying sound. After that, continuous movement from one frequency to the another follows. The rate of change of loudness for partial tones that are greater than a certain threshold and their relative starting ...
Maletić, Mladen +2 more
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Generalization of the Aversive Effect of Music Distortion
The Psychological Record, 1975Extending research on the mildly aversive effect of music distortion, the present experiments demonstrate that this effect can be acquired by a “neutral” stimulus, which may then be used to modify behavior. Although this procedure is lengthy (due to the gradual conditioning involved), it results in an unusually stable behavior change and is applicable ...
Robert J. Greene +2 more
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Changes in Distortion Product Otoacoustic Emission Components after Music Exposure
Journal of the American Academy of Audiology, 2014Background:Young adults experience some type of recreational noise exposure on a daily basis; this includes using personal music (PM) systems with earphones. In most cases, this exposure is intermittent and the short-term effects of this exposure on the auditory system are becoming better understood.Purpose:The purpose of this study was to examine the
Peter, Torre, Jennifer, Grace
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Distortion of Musical Signals by Means of Multiband Waveshaping
Journal of New Music Research, 2001In this work we propose a new architecture for musical distortion. WaveShaping (a sound synthesis technique from the mid-late 1970s) is used here as the basic distortion generation element. WaveShaping can easily and precisely generate upper partials from a flat-envelope pure sinusoidal signal. The extent and distribution of the overtones series can be
Pablo Fern�ndez-Cid +1 more
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Mayhem, Madness and Distorted Mirrors in Herrmann’s Music for Hitchcock’s Psycho
Journal of Film Music, 2022Bernard Herrmann’s music for Hitchcock’s Psycho plays a crucial role in implementing the relentless move towards mayhem and madness which is characteristic of this film, as well as in creating distorted reflections between sanity and madness. In this article, I claim that the former aspect is expressed by a gradual move from tonal towards “mistuned ...
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Analysis of FM Multipath Distortion using Two-Stage and MUSIC Methods
SAE Technical Paper Series, 2014<div class="section abstract"><div class="htmlview paragraph">Traditionally, the suitability of wireless terminals for automotive use has been evaluated by conducting repeated driving tests in actual environments. However, this method of evaluation has long presented issues, and the implementation of the method itself is today becoming ...
Satoru Komatsu +4 more
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Musical molecules: the molecular junction as an active component in audio distortion circuits
Journal of Physics: Condensed Matter, 2016Molecular junctions that have a non-linear current-voltage characteristic consistent with quantum mechanical tunneling are demonstrated as analog audio clipping elements in overdrive circuits widely used in electronic music, particularly with electric guitars.
Adam Johan, Bergren +5 more
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A Robust Detector for Distorted Music Staves
2005In this paper an algorithm for music staves detection is presented. The algorithm bases on horizontal projections in local windows of a score image and farther processing of resulting histograms and their connections. Experiments carried out, proved high efficiency of presented algorithm and its robustness in case of non-ideal staff lines: skew and ...
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Some Results Concerning the Perception of Musical Distortion in Mistuned Single Sideband Links
IEEE Transactions on Communications, 1975Tests were performed over a good communications grade single sideband (SSB) channel on the listenability of various types of music under frequency shift distortion up to ± 30 Hz. Sensitivity to this type of distortion depends upon the type of music, and frequency shift should be less than ± 5 Hz to avoid noticeable degradation.
J. Hanson, E. Hall
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