Results 71 to 80 of about 529 (185)

Requiem for a Brother: Hasim and His Elegy to Numan Pasha

open access: yesİstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Dergisi
Köprülüzade Esad Pasha was a third-generation member of the noble Köprülü family who served during the 17th and 18th centuries and were known as the “Köprülü grand viziers” as they raised many qualified statesmen for the Ottoman Empire.
Züleyha Hayal
doaj   +1 more source

Rizeli Âtıf and His Divan

open access: yesİstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Dergisi
Köksal, M. Fatih. Rizeli Âtıf ve Divanı (İnceleme - Metin). Rize Araştırmaları Vakfı Yayınları (REVAK). İstanbul. 2024. ISBN: 978-605-73461-8-6.
Aslıhan Haznedaroğlu
doaj   +1 more source

Description of nature in Diwan Manuchehri and Sinowbari’s Divans [PDF]

open access: yesتاریخ ادبیات, 2011
The art of description is one of the most important purposes of poetry, which is dependent on the element of imagination. The subject of description when describing nature is to draw a tableau of beauty.
علی دودمان کوشکی   +2 more
doaj  

Goethe's glosses to translation

open access: yesSign Systems Studies, 2012
The logical and illogical unity of translation with a triadic approach was mediated by Peirce's three-way semiotics of sign, object, and interpretant. Semiotranslation creates a dynamic network of Peircean interpretants, which deal with artificial but ...
Dinda L. Gorlée
doaj   +1 more source

He Ottoman female poets that differ from Divan literature with their voice and with their distinctive expressions<p>Osmanlı kadın şairlerinin Divan edebiyatı geleneğinden ayrılan sesi ve farklı ifade biçimleri

open access: yesJournal of Human Sciences, 2017
Divan literature is described as "a certain tradition literature with its rules and boundaries" in the most general form. These rules and boundaries have enabled the formation of common expressions in religion and in Sufi intellection in particular and in poetry by the influence of Persian literature, and they have made it traditional in time.
openaire   +2 more sources

A reflection on Sendbad-nameh [PDF]

open access: yesمتن شناسی ادب فارسی, 2009
Sendbad-nameh, from Zahiri Samarghandi, is one of the old texts in Persian literature, which has been compiled in the 6th century (A.H). The importance of this book is in its literary narrative style.
M Komeili
doaj  

Fakri’s Poetic Commentary on a Ghazal in the Shathiye Genre by Nevâyî

open access: yesİstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Dergisi
“Shathiyas,” especially prevalent in the Sufi poetry branch of Islamic literature, are poems often deemed absurd at first glance as they seem to deviate from Islamic teachings and are sometimes perceived as contrary to reason and logic.
Irmak Kaçar
doaj   +1 more source

Reimagining Goethe in the ELT Classroom: Divine Femininity and Islamic Traces in Faust and West-östlicher Divan

open access: yesJurnal Kawistara
This study explores the intersections of divine femininity and Islamic mysticism in Johann Wolfgang von Goethe’s Faust and West-östlicher Divan [West–Eastern Divan], positioning these canonical works as fertile ground for intercultural literary inquiry ...
Dewi Candraningrum   +2 more
doaj   +1 more source

He Ottoman female poets that differ from Divan literature with their voice and with their distinctive expressionsOsmanlı kadın şairlerinin Divan edebiyatı geleneğinden ayrılan sesi ve farklı ifade biçimleri

open access: yesJournal of Human Sciences, 2017
Divan literature is described as "a certain tradition literature with its rules and boundaries" in the most general form. These rules and boundaries have enabled the formation of common expressions in religion and in Sufi intellection in particular and in poetry by the influence of Persian literature, and they have made it traditional in time.
openaire   +1 more source

Home - About - Disclaimer - Privacy