Results 91 to 100 of about 146 (129)
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Doctor Zhivago: A Critical Companion

Russian Review, 1997
Introduction:"Doctor Zhivago" in the post-Soviet era - a re-introduction, Edith W. Clowes. Criticism: Yury Zhivago's readers - literary reception in Pasternak's novel and in his time, Carol J Avins Characterization in "Doctor Zhivago" - Lara and Tonya, Edith W.
Rimgaila Salys, Edith W. Clowes
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Boris Pasternak: Doctor Zhivago

Russian Review, 1992
Reception, importance and position of "Doctor Zhivago" Pasternak's life, work and times up to 1917 Pasternak's life, work and times after 1917 "Doctor Zhivago" - the opening, Lara and Yurii Yurii Zhivago and the Revolution, Strelnikov and others, coincidences style and method - problems of translation the poems.
Christopher Barnes, Angela Livingstone
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Who Wrote Doctor Zhivago?

Russian Studies in Literature, 2002
The depiction of historical events in this novel is both engaging and incomprehensible. History has never fit comfortably into any text, and this one is no exception. But, unlike many, the narrator of Zhivago acknowledges his failure; he is seeking throughout to express history's horrors in the written word but, for want of a better tool, is reduced to
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Doctor Zhivago

Adapted from the novel, the film is about historical events depicting the last period of Tsarist Russia, the city of Moscow between 1903-1905, when the Socialist Revolution gained strength, the 1917 Bolshevik Revolution in Russia, and the Russian Civil War (1917-1922), the turmoil in the postrevolutionary Soviet Union and the Second World War.
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Pasternak's Doctor Zhivago

The Slavic and East European Journal, 1968
Carrol F. Coates   +2 more
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Doctor Zhivago: Composition and Architectonics

Russian Studies in Literature, 2012
Doctor Zhivago's highly nuanced and interconnected architectonic structure is examined, revealing the novel's poetic configuration and suggesting ways that the novel produces meaning on the level of form alone.
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Cultural Transformation as Transdisfiguration in Pasternak’s Doctor Zhivago

Russian History, 2013
This article offers an innovative reconsideration of Boris Pasternak’s Doctor Zhivago by examining the author’s understanding of Orthodox asceticism. Kelly shows how Pasternak opposes traditional Orthodox notions of asceticism with the cold materialism of Marxism. But the author does more than merely prefer the former over the latter.
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Moscow as City and Symbol in Pasternak’s Doctor Zhivago

Slavic Review, 1981
The final subchapter of the prose text of Doctor Zhivago takes the narrative, at least by implication, beyond the Stalin era. In these last four brief paragraphs of the epilogue,1 lurii Zhivago’s surviving childhood friends, Misha Gordon and Nika Dudorov, now at the twilight of their lives, are reflecting on Zhivago’s literary legacy and on what lies ...
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