Results 1 to 10 of about 11,968 (260)

Documenting Paintings with Gigapixel Photography [PDF]

open access: yesJournal of Imaging, 2021
Digital photographic capture of pictorial artworks with gigapixel resolution (around 1000 megapixels or greater) is a novel technique that is beginning to be used by some important international museums as a means of documentation, analysis, and dissemination of their masterpieces.
Pedro M. Cabezos-Bernal   +2 more
openaire   +5 more sources

Un museo «único en su clase»: vicisitudes de la colección fotográfica de Tomás Camarillo / A «One-of-a-Kind» Museum: Vicissitudes of the Photographic Collection of Tomás Camarillo

open access: yesDiferents, 2021
Desde el siglo XIX, numerosas iniciativas emplearon la fotografía para registrar el patrimonio cultural. Los acervos resultantes de aquellas campañas fueron integrados, entre otras instituciones, en museos.
Víctor Iniesta Sepúlveda
doaj   +1 more source

Digital Documentation through Underwater Photography Method

open access: yesEnvironment-Behaviour Proceedings Journal, 2023
This study focuses on the educational value of photographs and investigates discursive methods for employing underwater photography in environmental education. This research will examine the effectiveness of the relationship between photography and the environment using a qualitative methodology.
Nazrul Azha Abu Hassan   +3 more
openaire   +1 more source

A colecção fotográfica "Inventário da Azulejaria Portuguesa" de João Miguel Santos Simões (1960-1968): objecto artístico, documento e memória The Photography Collection "Inventário da Azulejaria Portuguesa", by João Miguel Santos Simões (1960-1968): artistic object, document and memory

open access: yesVaria História, 2008
O "Inventário da Azulejaria Portuguesa" é um conjunto de espécies fotográficas coladas em cartão. Composta por 5028 documentos fotográficos ( a p& b e a cores), esta colecção faz parte de um projecto mais abrangente e ambicioso proposto pelo estudioso da
Maria Alexandra Trindade Gago da Câmara
doaj   +1 more source

The Visual Archive: the self as author and actor

open access: yesKepes, 2015
This article intends to discuss how in some contemporary photography, the author participates as character of the work (as much as he reveals himself or the character that embodies him) and which metamorphoses take place in this photographic narrative ...
Maria João Baltazar
doaj   +1 more source

La photographie d’ambiance, une documentation prometteuse

open access: yesLes Nouvelles de l'archéologie, 2022
Ambience/environment photography is a recurrent document in the collections of archaeological missions and research projects. Despite its interdisciplinary richness, it is often poorly processed, insufficiently documented and too rarely shared. This brief article attempts to take stock of the issue and the challenges and perspectives associated with it.
Bézard, Laure   +2 more
openaire   +3 more sources

Left wing iconographies: encounters between visual culture and political culture in Spanish Civil War photographs

open access: yesVisualidades, 2014
This paper focuses on some of David Seymour “Chim”’s photographs from the Spanish Civil War, to discuss the formation of a very political iconology. Driven by left and anti-fascist agendas, Chim reached for a specific imagetic vocabulary, which was being
Erika Zerwes
doaj   +1 more source

Melanie Einzig: Ironia e melancolia nas ruas de New York

open access: yesRebeca, 2016
Melanie Einzig desenvolve uma linguagem própria na sua fotografia de rua que registra aspectos da cultura americana e da cidade de New York. Seu olhar descompromissado com interesses comerciais ou longe das restrições do fotojornalismo revela um ...
Susana Dobal
doaj   +1 more source

Lo que el documento esconde. Prácticas conceptuales en la fotografía documental

open access: yesFotocinema: Revista Científica de Cine y Fotografía, 2015
Resumen:Frente a la concepción tradicional del documentalismo, centrada en la mirada del fotógrafo, la transparencia de la imagen y la estructura narrativa, en los últimos años han ido surgiendo alternativas que buscan retomar los planteamientos de ...
Ramón Esparza
doaj   +1 more source

La experiencia del espectador-usuario como factor primordial para la adecuación del modelo expositivo de un proyecto de arte relacionado con el genocidio, basado en fotografías socio-documentales = The viewer-user experience as a fundamental factor for the adaptation of the exhibition model of an art project related to genocide, based on socio-documentary photographs

open access: yesArte, Diseño e Ingeniería, 2020
El presente artículo tiene como objetivo realizar una reflexión sobre la importancia de la experiencia de usuario en las obras de arte basadas en fotografía socio-documental, referido en concreto al proyecto artístico GENOCIDE PROJECT.
Eduardo Gómez Ballesteros   +1 more
doaj   +1 more source

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