Results 1 to 10 of about 28 (26)
L’identité rhizomatique de Dora d’Istria
Connue à son époque comme l’une des plus grandes auteures de l’Europe du Sud-Est, Dora d’Istria (nom de plume d’Elena Ghica) est de nos jours presque oubliée.
Mihaela Chapelan
doaj +5 more sources
DORA D’ISTRIA: MAPPING THE CULTURAL TRANSFER OF INTIMACY AT THE “FRINGES” OF EUROPE
Dora D’istria: Mapping the Cultural Transfer of Intimacy at the “Fringes” of Europe. The present paper examines two texts by Dora D’Istria dealing with women’s emancipation and empowerment in the mid-nineteenth century.
Carmen DUŢU
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Elena Ghika, conosciuta con il nome d’arte di Dora d’Istria, donna istruita ed erudita, si inserisce nel dibattito sulla emancipazione civile e culturale femminile in atto nel corso del xix secolo.
Vittoria Bosna
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O insulă exotică a culturii române: Dora d’Istria [PDF]
The article addresses a few key issues of the life and work of Dora d’Istria (1828–1888) in the context of an increasing interest for this Romanian writer of French expression.
Liviu Bordaş
doaj
Dora d’Istria et le printemps des peuples du Sud-Est Européen [PDF]
It is a new look and approach on the works of Dora d’Istria, a Romanian writer in French language, which contributions realize a deeper knowledge about South-Western peoples of Balkans These contributions are very few known and the author try to ...
Ileana Mihăilă
doaj
Mihail Eminescu, Dora d’Istria şi visul lui Osman [PDF]
L’article apporte quelques nouvelles informations concernant la genèse de la première partie du poème de Mihaïl Eminescu, Scrisoarea III [Troisième Lettre], en l’occurrence la rédaction personnelle du célèbre poème médiéval turc Le Rêve d’Osman (XIIIe ...
Ileana Mihăilă
doaj
Oryantalistlerin Gözünden Klasik Türk Şiirinin İki Temel Meselesi: Özgünlük ve Cinsellik
Bu çalışma, Batılı oryantalistlerin klasik Türk edebiyatına yönelik değerlendirmelerinde öne çıkan iki temel konuyu—özgünlük ve cinsellik—ele almaktadır.
Serkan Derin
doaj +1 more source
Some of the next articles are maybe not open access.

