Results 111 to 120 of about 193 (142)

Phonetic realisation of downstep in Bimoba

Phonology, 1998
Few phonological phenomena have so captured the attention of theorists and continued to baffle them as the phenomenon of tonal downstep. Downstep is the lowering of the tonal register that sometimes occurs between adjacent, otherwise identical tones. It is cumulative, and successive occurrences of the phenomenon result in ever lower settings of the
openaire   +1 more source

Downstep and linguistic scaling in Dagara-Wulé

2011
Annie Rialland
exaly   +4 more sources

Key Lowering (Downstep/Downglide) in Dschang

Journal of African Languages and Linguistics, 1981
exaly   +2 more sources

Perceived prominence and downstep in Japanese

Interspeech 2022, 2022
Hyun Kyung Hwang, Manami Hirayama, Takaomi Kato   +2 more
openaire   +1 more source

Syntactic and rhythmic effects on downstep in Japanese

Phonology, 1989
The past decade or so has seen increasing interest in prosodic research, and remarkable progress has been made in the study of accent and intonation, both empirical and theoretical. Research in Japanese intonation is no exception in this respect, as evidenced by such works as Poser (1984) and Beckman & Pierrehumbert (1986), among others, which have
openaire   +1 more source

OCP and downstep in Japanese

The Second International Conference on Tone and Intonation, 2023
Manami Hirayama, Hyun Kyung Hwang, Takaomi Kato   +2 more
openaire   +1 more source

Word domains and downstep in Bamileke-Dschang

Phonology Yearbook, 1985
The theoretical significance of the Bamileke-Dschang tone system has been evident since Tadadjeu (1974) first pointed out the unusual tonal oppositions found in this language. Whereas the majority of languages with tonal downstep permit this entity (!) only between high (or, perhaps more generally, only between non-low) tones, Dschang contrasts H and ...
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A Dynamic Neural Model of Tonal Downstep

Downstep has been defined as a contrastive drop in pitch from a preceding tone, or a drop in pitch that cannot be explained by pitch declination. We arrive at a neural-process account of downstep in Bimoba HLH sequences by considering the general neural mechanisms that may underlie action selection and control.
Manasvi Chaturvedi, Jason A. Shaw
openaire   +1 more source

H-Induced Downstep in a Restrictive Theory of Tone

1987
exaly   +2 more sources

Downstep Constructions

2019
openaire   +1 more source