Results 61 to 70 of about 7,114 (157)
Different Adaptations: The Power of the Vampire
Since film first established itself as pre-eminently a narrative medium there has been a long-running questioning on the nature of the connections between film and literature. Conrand’s known statement about his novelistic intention - “My task which I am
Mario Vrbančić +1 more
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How the Slovaks Helped Count Dracula: Stereotypes of the Late 19th Century
Bram Stoker’s iconic horror novel is heavily influenced by Central and Eastern European mythological pre-Christian stories about the undead, people undergoing lycanthropic metamorphoses, and vampires.
Martin Kasarda
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Apontamentos sobre a transposição do romance para o filme Drácula de Bram Stoker
Drácula de Bram Stoker (Bram Stoker’s Dracula – EUA – 1992 - dirigido por Francis Ford Coppola e roteirizado por James V. Hart), adaptado do romance gótico “Drácula”, do escritor irlandês Bram Stoker, configura-se exemplar para uma discussão do processo ...
Erika Savernini
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No abstract is available for this article.
wiley +1 more source
Envisioning an indulgence: "Dracula" (1897) and "Van Helsing" (2004)
This paper argues that a sub-theme of pro-Catholicism exists in Bram Stoker's 1897 novel "Dracula". The only people who can destroy the Count are a Catholic, protected by Catholic sacraments and an Indulgence from a Church authority, and apparently ...
Starrs, D. Bruno
core
Thoroughly Modern Mina: Romance, History, and the Dracula Pastiche
Dracula pastiches have been popular for decades, but it is only since the 1970s that authors have regularly turned to imagining romances between Dracula and Mina Harker.
Miriam Elizabeth Burstein
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