Results 31 to 40 of about 904,600 (270)
Humorous phenomena in dramatic discourse
The paramount goal of this paper is to tease out a number of universal communicative phenomena which carry humour appreciated by the recipient of a drama series, based on data culled from a famous medical drama series, “House”.
Marta Dynel
doaj +3 more sources
‘Irony/ironic’ are terms frequently used in discussion of Herodotus, whether applied to particular passages or to the text as a whole. This paper aims to distinguish different types of irony which have been or can be detected in the text of the ...
Richard Rutherford
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Die dramatiese discours in Pas de deux van Hugo Claus
Drama is action, verbal drama is speech action, and the dramatic text is subject to a similar set of rules as that governing the extra-literary communication situation.
R. Vaughan
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Ironic remarks in Divan of Naser Khosrow and works of schlegel brothers [PDF]
1.Introduction Iran and Germany are two countries with fruitful history and traditions in literature and philosophy, but there are not enough works in the field of comparative study between the works of their thinkers and poets. In this study, some works
Ehsan Koosha +2 more
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Vernacular Futurism: How Persian Language Users Imagine AI
ABSTRACT Public discourse about artificial intelligence increasingly unfolds through compressed forecasts, moral warnings, and everyday speculation circulating at platform speed. This study examines how Persian language users on X construct and contest AI futures, analyzing a corpus of 4741 posts collected between January 2023 and December 2025, with ...
Arthur Asa Berger, Ehsan Shahghasemi
wiley +1 more source
"These wild shows": Shakespearean wit in The Duke of Parma [PDF]
The essay examines Fernando Pessoa’s The Duke of Parma through its Shakespearean and early modern dramatic features, focusing on the construction of the Duke’s “other” nature, linked to alterity and insanity. It argues that Pessoa shapes identity through
Saglia, Diego
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ABSTRACT Generative AI is radically transforming how creative authorship is understood, attributed, and governed across the world’s cultural and creative industries. As AI systems increasingly produce outputs that organisations and audiences recognise as creative, foundational assumptions about who authors creative work, who receives credit for it, and
Ololade A. Shonubi
wiley +1 more source
On the Prospects for African Philosophy in Australia
ABSTRACT This paper grapples with the situation of people of African descent in Australia by working through the constitution of the body of academic philosophy in the country. It contends with the parochialism of the Australian philosophical community and the prospects for the cultivation of greater pluralism. Taking African philosophy as one possible
Bryan Mukandi
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Ironija i satira u dramskim djelima Maxa Frischa: Mehanizmi suočavanja s izazovima 20. stoljeća
Irony and satire, two complex phenomena, find their respective places in the dramatic works of Max Frisch (1911–1991), a Swiss playwright and novelist and have gone through many changes gaining on different meanings, depending on the socio-cultural ...
Katarina Žeravica, Boris Dudaš
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The Politics of Framing the Student Problem: Inquiries Into Australian Civics Education, 2006–2024
ABSTRACT Recurring debates about civics, the kinds of history that should, and should not, be taught in school, and ‘standards debates’ about the ‘basics’ typically follow on the heels of recurring moral panics about the ‘declining’ state of ‘our’ education system.
Patrick O'Keeffe +2 more
wiley +1 more source

