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Gender Representations in Dramatic Texts for Children and Youth
International Journal of Literature Studies, 2022Theater, including drama, plays for an underaged audience, is considered an active mechanism for reproducing or challenging gender relations in power that reflects the ideological and political beliefs of a society. Under such circumstances, it is interesting to discover whether theatrical texts for children and youth gender fairness and to investigate
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A ‘Dramatic Turn’: The Revolution of Christian Representation
2022This essay considers the difficulties in grasping the meaning of “sacred theatre”, due to a real revolution of the representation process in theological Christian thought. Through the writings of Latin Fathers of the Church, this article intends to explain that this revolution is based on the overturning of the point of view that moves from spectator ...
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Methods of Teaching-Revisited Dramatic Representation: Skits
The Journal of Continuing Education in Nursing, 1979The ninth in a series of articles on methods of teaching, this article describes another type of simulation. Readers are encouraged to submit articles describing teaching strategies they have found useful.
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The Ambiguous Table: Dramatic Representations of Women at Dinner
New Theatre Quarterly, 2016An actual dinner party is nearly always characterized by the presence of three central elements: a meal, a table, and a gathering of people, who usually converse. In this article Campion Decent considers the dinner party as a social event and questions how artists draw on its elements to inform artistic representations of dinner. He examines the use of
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The representation of the spoken language in contemporary dramatic texts
2020L’objet de cet article est d’étudier en quoi dans nombre de textes dramatiques contemporains les auteurs ont recours à des marques d’oral. Ce faisant, on mesurera les effets que produisent ces modes de stylisation. Sur la base d’un corpus de trois auteurs (Durringer, Lemahieu, Wittoski), l’essentiel de l’article a pour but d’analyser quelques modes de ...
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Exploring the Playwright’s Self-Representation in Tom Stoppard’s Dramatic Works
International Journal of Social Science and Human ResearchThis article examines two masterpieces by the British playwright and screenwriter Tom Stoppard: the two-act play The Real Thing and the screenplay Shakespeare in Love. These works employ the author-as-character technique in disparate ways. This study will endeavor to demonstrate how the playwright interweaves artistic and realist elements, as well as ...
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On the impression of reality attending dramatic representations
(Uploaded by Plazi from the Biodiversity Heritage Library) No abstract provided.openaire +1 more source
Theatrical torture versus dramatic cruelty: subjection through representation or praxis1
2017The distinction between the theatrical and the dramatic is pivotal for different modes of subjection in the early modern era. Institutionally speaking, society was organized ideologically, theatrically by the introjection of what was shown publicly to private, but equally collective, theatres of the mind.
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A Dramatic Representation of Immunological Cooperative Events
International Archives of Allergy and Immunology, 1985F, Celada, A, Lanzavecchia
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The Effect of Dramatic Play on Children's Graphic Representation of Emotion
2007Drawing is valued as a non-verbal assessment tool to measure children's conceptual development and emotional state. Drawing has also been described as a problem-solving activity and unique symbol system. Although drama has been known to facilitate learning in other symbol systems, such as reading and writing, and to bring about advances in perspective ...
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