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The Ambiguous Table: Dramatic Representations of Women at Dinner
New Theatre Quarterly, 2016An actual dinner party is nearly always characterized by the presence of three central elements: a meal, a table, and a gathering of people, who usually converse. In this article Campion Decent considers the dinner party as a social event and questions how artists draw on its elements to inform artistic representations of dinner. He examines the use of
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The representation of the spoken language in contemporary dramatic texts
2020L’objet de cet article est d’étudier en quoi dans nombre de textes dramatiques contemporains les auteurs ont recours à des marques d’oral. Ce faisant, on mesurera les effets que produisent ces modes de stylisation. Sur la base d’un corpus de trois auteurs (Durringer, Lemahieu, Wittoski), l’essentiel de l’article a pour but d’analyser quelques modes de ...
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On the impression of reality attending dramatic representations
(Uploaded by Plazi from the Biodiversity Heritage Library) No abstract provided.openaire +1 more source
Theatrical torture versus dramatic cruelty: subjection through representation or praxis1
2017The distinction between the theatrical and the dramatic is pivotal for different modes of subjection in the early modern era. Institutionally speaking, society was organized ideologically, theatrically by the introjection of what was shown publicly to private, but equally collective, theatres of the mind.
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A Dramatic Representation of Immunological Cooperative Events
International Archives of Allergy and Immunology, 1985F, Celada, A, Lanzavecchia
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Acting White: Dramatic Representations of Race in Nineteenth-Century Peru
2017Even before theories of ―scientific racism‖ gained prominence in Spanish America, social and racial distinctions greatly preoccupied the Peruvian intellectuals considered in this study, who portrayed whiteness as an essential element of national identity, and who felt an urgency to increase European immigration to Peru.
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Dramatic Representations in Graeco-Roman Egypt : how long do they continue ?
L'antiquité classique, 1963A dramatic scene from Euripides' Cresphontes contained in a newly published papyrus is analysed, and the suggestion made that ancient texts showing « algebraic » notation for actors were acting copies, and are evidence of continued dramatic representation.
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