Results 101 to 110 of about 11,009 (298)

Dramaturgy as skill of adventure pedagogue [PDF]

open access: yes, 2010
The work deals mainly with teaching dramaturgy, particularly dramaturgy in the pedagogy of experience. At the beginning are the best known examples of species dramaturgy occuring at the present time, which can include dramaturgy of film and theater.
ŠULCOVÁ, Martina
core  

Post-dramaturgy [PDF]

open access: yes, 2020
Orientador: Marcelo Ramos LazzarattoTese (doutorado) - Universidade Estadual de Campinas, Instituto de ArtesResumo: Este trabalho visa à construção de um novo modelo dramatúrgico, ou de escrita da dramaturgia, a partir da encenação de peças teatrais que ...
Canhameiro, Carlos Eduardo, 1977-
core  

Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy [PDF]

open access: yes, 2005
Proceeding from the observation that Gotthold Ephraim Lessing's famous Hamburgische Dramaturgie (Hamburg Dramaturgy) soon abandons the analysis of actual performances in favour of a discussion of character, the article explores Lessing's problematic ...
Jurs-Munby, Karen
core   +1 more source

Appraising Policies Through Social Multi‐Criteria Evaluation: Lessons From a Systematic Review of Applications

open access: yesEuropean Policy Analysis, EarlyView.
ABSTRACT In response to renewed interest in analytical tools that address complex policy problems and move beyond linear‐rational approaches in policy appraisal, Social Multi‐Criteria Evaluation (SMCE) integrates participatory approaches with multi‐criteria analysis (MCA), thereby incorporating specialised knowledge and diverse social values and ...
Egle Basyte Ferrari
wiley   +1 more source

Dramaturgy and mise en scène: The relationship between mise en scène and dramaturgy in the production process

open access: yesCritical Stages, 2014
This article argues that historically production dramaturgy and mise en scène developed hand in hand and are therefore inseparable. By investigating the staging of three classics,Fatherlessness / Platonov at the Örkény Theatre, Budapest, a devised ...
Katalin Trencsényi
doaj  

The Theatre of Debt at the Turn of the Eighteenth and Nineteenth Centuries

open access: yesBiens Symboliques
This article focuses on the significance of debt in a certain number of plays performed at the turn of the eighteenth and nineteenth centuries. Based on the observation that practical rationalities inscribe theatre in the economic and social life, the ...
Guillaume Cot
doaj   +1 more source

Detecting high‐frequency oscillations in real time during epilepsy surgery with neuromorphic hardware validated to predict postoperative seizure outcome

open access: yesEpilepsia, EarlyView.
Abstract Objective High‐frequency oscillations (HFOs; 250–500 Hz) in electrocorticography (ECoG) are promising biomarkers for delineating the epileptogenic zone during epilepsy surgery. Accurate, intraoperative real‐time detection of HFOs may guide surgical resection to improve seizure outcome.
Jeroen Teurlings   +9 more
wiley   +1 more source

Dramaturgy and Artistic Research: Methods and frictions [PDF]

open access: yes
The keynote address discusses the relationship between dramaturgy and artistic research and posits that within many contemporary colalborative devising processes we find interesting examples of artistic research.
Behrndt, Synne,
core  

CONCERTO FOR ORCHESTRA No.2 BY GHEORGHE MUSTEA — REMARKABLE MODEL OF MUSICAL NEOFOLKLORISM [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016
In the article there is an analysis of the Concerto for Orchestra No.2 as regards the musical neofolklorist stylistics which manifested itself widely in its content (the picturesque tableau (image) of a rustic holiday), the description of the fiddlers ...
MIRONENCO ELENA
doaj  

Dramaturging from Within: The Dramaturg as First Experiencer in Immersive Audio

open access: yesCritical Stages, 2021
This article focuses on the role of the dramaturg in the process of creating performances in which immersive audio is at the heart of the meaning-making, arguing that in immersive audio the dramaturg takes up a position of first experiencer, rather than ...
Hanna Slättne
doaj  

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