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Phenomenology and changing the experimentation concept in contemporary painting. [PDF]
:The contemporary artist seeks to revolutionize the inherited traditional concepts and believes that he must remain in a state of constant search to review his ideas and principles, because there is no absolute truth.
Nadia Wahdan Ahmed
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The stratified relationship and mutual influence between the representation of the project and the form of built architecture manifest above all in the facade design by virtue of its natural rhetorical vocation. This is the case of the Casa dei Filippini,
Fabio Colonnese, Marco Carpiceci
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The plastic and conceptual dimensions of the art of contemporary portrait as an indicator of cultural identityThe cultural and civilizational identity of a nation is the fixed, fundamental and common destiny of features and features that are related to ...
Seham Abd El Aziz Hamed
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The aesthetic dimensions of European surrealism philosophy and content and its role in the Egyptian surrealism painting drama [PDF]
The research examined the surrealism trend because of its important role in building the artwork and presenting it in a dramatic way that is expressive, honest, serious, innovative and far from stereotypical thinking, especially that there are many types
Mai Mohamed Ahmed Al-Azzazi
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The Köln Museum: Imagery and Imaging in the Architecture of James Stirling
The 1970s museum projects of James Stirling provide the opportunity to explore a design process intended to design a building as a combination of fragments that quote historical buildings or typologies along a route. While the collection of spaces of the
Fabio Colonnese
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Forgery and Narrative in Architecture Design Communication
Although in the wake of the tradition of photomontage and collage, the communication Alberto Campo Baeza and Raphaël Gabrion adopted to present their architectural proposal for a new facility building for the Louvre in Liévin demonstrates an innovative ...
Fabio Colonnese
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SURVEY PROBLEMS AND REPRESENTATION OF ARCHITECTURAL PAINTED SURFACES [PDF]
The painted surfaces of a building are generally vertical walls and flat roofs or arched roofs. The detection of these objects must be prepared according to the reason why the metric operation is designed; metric control of the whole performance practice
M. Carpiceci
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Perspective Studies on Perugino’s and Raffaello’s Painted Architecture
The architecture that the Renaissance artists depicted in their works constitutes a vast reservoir of formal solutions that influenced (and were reciprocally influenced by) built architecture.
Fabio Colonnese
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The intellectual and emotional dimension of the material as an approach to the development of the creative side of students of the faculty of Art Education [PDF]
:The contemporary artist seeks to revolutionize the inherited traditional concepts, by emphasizing the emotional intellectual dimension of the material, which has become one of the most important means of expression in figurative artwork.
Nadia Wahdan
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Art based on optical illusions has accompanied the everyday life of a human being since ancient times, until today. Primarily, it played a specific role as an artistic game and manifested the artists’ own mastery, while often playing the serviceable role
Zdziarski Andrzej, Jonak Marcin
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