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, 2020 Graphics are physical or mental images that individuals produce through their perceptual, cognitive, and executive functions. Pertaining to this is the study of implicit behaviors, that is, behaviors consisting of an individual’s interior processes, which are useful for understanding the way they “interpret” the environment as independent variables ...
Fabio Lanfranchi, Giorgio Testa
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Architectural Theory Review, 2009
That architectural drawings are, as a matter of course, thought in terms of representation is one of the most accepted notions in the field. However, the insufficiency of this notion already appears in the first systematic theorizations of Western painting and architecture, where their author, Leon Battista Alberti, introduces something profoundly ...
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That architectural drawings are, as a matter of course, thought in terms of representation is one of the most accepted notions in the field. However, the insufficiency of this notion already appears in the first systematic theorizations of Western painting and architecture, where their author, Leon Battista Alberti, introduces something profoundly ...
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Drawing: Research, Theory, Practice, 2018
Abstract Drawing and writing have a complex, sometimes incestuous, relationship. They are both taught to children, but in different, if overlapping, ways: writing is usually obliged to remain faithful, whereas drawing can break free. There is a no-man’s-land in between, where writing can look like drawing or vice versa, and there are ...
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Abstract Drawing and writing have a complex, sometimes incestuous, relationship. They are both taught to children, but in different, if overlapping, ways: writing is usually obliged to remain faithful, whereas drawing can break free. There is a no-man’s-land in between, where writing can look like drawing or vice versa, and there are ...
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2022
In this chapter, I approach the notion of imagistic thinking as an artist and offer a view of the image as something ongoing and unfinished, and as an opening toward which we move. I delve into the process of making the large charcoal drawings that accompany the other chapters in this book.
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In this chapter, I approach the notion of imagistic thinking as an artist and offer a view of the image as something ongoing and unfinished, and as an opening toward which we move. I delve into the process of making the large charcoal drawings that accompany the other chapters in this book.
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2018
This chapter introduces isometric drawing. Discussed is when to use it, when not to use it, and how to set the isometric perspective. The discussion continues on to changing planes (F5), creating ellipses, and text/dimensions in isometric. An architectural drawing project (part 10 of 10) is at the end of the chapter.
Robert C. Kaebisch, Elliot J. Gindis
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This chapter introduces isometric drawing. Discussed is when to use it, when not to use it, and how to set the isometric perspective. The discussion continues on to changing planes (F5), creating ellipses, and text/dimensions in isometric. An architectural drawing project (part 10 of 10) is at the end of the chapter.
Robert C. Kaebisch, Elliot J. Gindis
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Drawing in-church and drawing-in to joy
Practical Theology, 2019This paper explores what can be learned about the possibilities for joy when the private practice of drawing is located in public experience of Sunday worship.
Libby Byrne, Libby Byrne
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2023
In this masters report, I explore the systems and reasonings that structure my drawing process, namely my consistent inclination to make small marks on surfaces. I consider how such a repetitive and straightforward process can lead to dizzying, frenetic, and mysterious results.
Chess, Sarah, 0009-0000-9080-9767
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In this masters report, I explore the systems and reasonings that structure my drawing process, namely my consistent inclination to make small marks on surfaces. I consider how such a repetitive and straightforward process can lead to dizzying, frenetic, and mysterious results.
Chess, Sarah, 0009-0000-9080-9767
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Drawing Conclusions--Or Not-From Drawings
Journal of Personality Assessment, 1997Riethmiller and Handler (this issue) critiqued our article on drawing indices and emotional distress (Joiner, Schmidt, & Barnett, 1996). On several counts, we find their points unconvincing. Specifically, we reject the possibilities that our null results are explained by (a) the distinction between self-attributed and implicit motives, (b) measurement ...
Thomas E. Joiner, Kristen L. Schmidt
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2011
Publisher Summary This chapter introduces isometric perspective in AutoCAD and how to use it. By strict definition, isometric perspective means representing a three-dimensional object in two dimensions. The reason why one should use isometric perspective instead of 3D is that it is much easier to learn isometric drawing than to develop proficiency in ...
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Publisher Summary This chapter introduces isometric perspective in AutoCAD and how to use it. By strict definition, isometric perspective means representing a three-dimensional object in two dimensions. The reason why one should use isometric perspective instead of 3D is that it is much easier to learn isometric drawing than to develop proficiency in ...
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Drawing space (drawing in perspective)
Drawing: Research, Theory, Practice, 2016Abstract
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