Results 101 to 110 of about 62,856 (253)

Materials and techniques of Art Nouveau architecture in Italy and Portugal: a first insight for an European route to consistent restoration [PDF]

, 2009
The results of the investigations on building materials and techniques of Casa Major Pessoa, a typical Art Nouveau construction in Aveiro (Portugal), and two coeval Art Nouveau buildings in Bologna (Italy) are presented as a methodological contribution
Dell’Acqua, A. C., Franzoni, E., Sandrolini, F., Varum, H.   +3 more
core   +1 more source

The Material and Textual Value of Manuscript and Print Binding Waste☆

Renaissance Studies, EarlyView.
Abstract In 2019, the Foundation of Christ's Hospital at Lincoln made a bequest of early printed books to the Bodleian Library. The collection is rich in sixteenth‐century tooled bindings, many of which preserve manuscript and printed waste in the form of pastedowns, endleaves and endleaf guards.
Tamara Atkin
wiley   +1 more source

Print Conventions and Authority in Three English Recipe Manuscripts

Renaissance Studies, EarlyView.
Abstract This article considers the uses of stylistic and visual conventions drawn from print books in three seventeenth‐ and eighteenth‐century recipe manuscripts at the University of Pennsylvania. We begin by analysing the title page, dedicatory epistle, catchwords, and headers of MS Codex 627, which imitates an edition of Hugh Plat's Delights for ...
Aylin Malcolm, Margaret C. Maurer
wiley   +1 more source

Reader Interaction with Graphic Devices in Early Modern English Printed Books☆

Renaissance Studies, EarlyView.
Abstract Research into marginalia or reader annotations has become a well‐established branch of early modern book studies, shedding light on one of the ways in which manuscript and print coexisted and interacted in this period. The present study sets out to discover how readers engaged with printed graphic devices and with texts that contain such ...
Aino Liira
wiley   +1 more source

Analysis of the Ceramic Sherds from Area C at the Ware Acres Site (41GG31), Gregg County, Texas [PDF]

, 2013
The Ware Acres site (410031) was discovered by Buddy Calvin Jones in 1951 on an alluvial terrace of Grace Creek, a southern-flowing tributary to the Sabine River in the southwestern part of the city of Longview, Texas.
Nelson, Bo, Perttula, Timothy K., Selden, Robert Z., Jr.   +2 more
core   +1 more source

Caxton's Afterlife in Manuscript (c.1475‐c.1500)

Renaissance Studies, EarlyView.
Abstract At least thirty‐five manuscript copies of Caxton's prints have been found so far. This article explores the implications of such manuscript copies of Caxton's prints and, interrupting the linear history of the book, considers Caxton's appeal beyond print in manuscript.
Aditi Nafde
wiley   +1 more source

Lake Naconiche Archaeology And Caddo Origins Issues [PDF]

, 2009
Sometime around ca. A.D. 800, Lake Naconiche sites were no longer occupied by Woodland period groups of the Mossy Grove culture solely making sandy paste pottery or living as mobile hunting-gathering foragers. At this time, from ca. A.D.
Perttula, Timothy K.
core   +1 more source

The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆

Renaissance Studies, EarlyView.
Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt, Olivia Robinson, Meg Twycross   +2 more
wiley   +1 more source

From art to engineering [PDF]

, 2007
This paper describes work which emerged through a need to understand more about the potential of laser surface engineering for use in the creative industries.
O'Hana, Sarah, Pinkerton, Andrew, Shoba, Kalsang   +2 more
core  

Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration

Renaissance Studies, EarlyView.
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley   +1 more source