Results 11 to 20 of about 62,856 (253)
Forming children's interest in the decorative art of the Karakalpak people
Al`manah «Etnodialogi», 2022 Авторы предлагают свою методику обучения декоративному рисованию дошкольников и младших школьников на основе изучения традиционного декоративно-прикладного искусства и орнаментального наследия каракалпакского народа.
Г.Х. Жумашева +1 more
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Holidaying behind the Iron Curtain: The material culture of tourism in Cold War Eastern Europe
Matkailututkimus, 2022 During the Twentieth Century, foreign travel underwent a process of democratisation. Increasingly, through the development of package holidays to ever more far-flung destinations, leisure tourism for the first time allowed ordinary people to experience ...
Carys Wilkins
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THE CONCEPT AND UTILIZATION OF SWASTIKA ‘HOOKED CROSS’ ON ISLAMIC ARTEFACTS [PDF]
Journal of the General Union of Arab Archaeologists, 2020 (En)‘Swastika’ is an equilateral hooked cross, it is one of the symbols that became popular to several nations of different cultures since prehistoric times.
Boussy Zidan
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Dragons in the Drawing Room: Chinese Embroideries in British Homes [PDF]
, 2008 Chinese embroideries have featured in British domestic interiors since at least the seventeenth century. However, Western imperial interests in China during the mid-nineteenth and early twentieth century created a particular set of meanings around ...
Baker Muriel +7 more
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Study Flower and vase motifs in Tile work of historical baths [PDF]
Jilvah-i hunar, 2019 The design of abstract vases with Khatai flowers (One of the major schemes and contractual Decorative Arts of Iran that is used gilding carpet and tile, and it is the horn chart layout, tree or shrub with flowers and leaves and buds), in Safavid period ...
J. Mansoori Jezabadi
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In Situ, 2016 How does one recreate a historical interior when the original furniture has disappeared? This challenge was taken up at the Château de Prangins in Switzerland.
Helen Bieri Thomson
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The drawings of the superstitious and complex objects in the Ottoman arts
Journal of Architecture, Art & Humanistic Science, 2018 The forms of superstitious objects appeared extensively on the Ottoman decorative arts, which varied in shapes and types, which were usually not embossed as an independent subject, but were shown alongside the drawings of the real animals.
Shaimaa Abdel Rafei
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Listening to objects: an ecological approach to the decorative arts [PDF]
Journal of Art Historiography, 2014 To transcend the divisions in art historical research between high art and decorative art, this study proposes an ecological approach. Drawing on research in the social sciences and humanities, and using the early modern domestic interior as a case ...
Erin J. Campbell
doaj
Image, art, artefact au xviiie siècle : l’histoire de l’art à l’épreuve de l’objet
Perspective, 2015 Art history, and the humanities more generally, have recently experienced a “material turn,” drawing particular attention to the materiality of objects, documents, and gestures.
Charlotte Guichard
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Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source