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A New Alphabet for the Cinema : the Tragic Irony of Napoléon (Abel Gance, 1927)
In the present-day period, on the eve of destruction of analogue cinema, there seems to be a remarkable interest in the last gasps of silent film. Encouraged by this fascination, this article delves into an analysis of the highly formally innovative ...
Peter Verstraten
doaj +5 more sources
Program Abstracts from the 21st International Association of Gerontology and Geriatrics (IAGG) World Congress. [PDF]
europepmc +1 more source
Práticas de devoção no cinema: uma análise de La Passion de Jeanne d’Arc de C. T. Dreyer (1928) [PDF]
La Passion de Jeanne d'Arc (1928), realizado por C. T. Dreyer, representa um marco cinematográfico na representação de temas religiosos. Pondo de parte narrativas convencionais, fechadas e declamatórias, e concentrando-se na interação entre imagens semi ...
Barreira, Hugo
exaly +4 more sources
Some of the next articles are maybe not open access.
11. Melodrama’s “Authenticity” in Carl Th. Dreyer’s La Passion de Jeanne d’Arc
2018Amanda Doxtater
exaly
Connecting the dots: La Passion de Jeanne d’Arc, a musical score and censorship
French Screen StudiesDonald Greig
exaly

