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Du Fay the poet? Problems in the texts of his motets
Early Music History, 1997The following observations make no claim to either profundity or finality, but attempt to improve on the texts and translations currently available, to comment on their metres (some rudimentary information being given in Appendix A), and to offer a few conjectures concerning authorship.
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L’article aborde le dense discours tenu dans la Mythistoire sur l’écriture poétique et la figure du poète. La fiction comique sert à dresser un tableau burlesque et mordant du champ poétique vers 1550, avec ses modes (le pétrarquisme) et ses querelles (La Deffence et le Quintil).
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Comment je fais une IRM du rectum
Feuillets de Radiologie, 2006Resume La realisation d’une IRM du rectum repose sur des principes techniques qui doivent etre respectes sous peine de manquer des lesions importantes. Le compte rendu doit etre standardise pour repondre aux questions du chirurgien.
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« Toy qui fais du Poëte » (II)
L’article passe au crible les nombreuses pièces poétiques insérées dans la Mythistoire, pièces personnelles ou traductions, toutes d’essence épigrammatique, en restituant leur intertexte marotique ou le plus souvent rabelaisien et en essayant de cerner le programme qu’elles dessinent.Cappellen, Raphaël +1 more
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Fay meets van der Pauw: the trisecant identity and the resistivity of holey samples
Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences, 2021Darren Crowdy, Hiroyuki Miyoshi
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Higher-order degenerations of Fay’s identities and applications to integrable equations
Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences, 2023Christian Klein
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Adjusted maximum likelihood method for multivariate Fay–Herriot model
Journal of Statistical Planning and Inference, 2022Jiraphan Suntornchost
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The Art of Counterpoint from Du Fay to Josquin
This book transforms our understanding of a fifteenth-century musical revolution. Renaissance composers developed fresh ways of handling musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new esthetics of opposition, as this study calls it, can be contrasted with smoother and less goal ...openaire +1 more source

