Results 101 to 110 of about 3,000,974 (254)

Topology of Networks in Generalized Musical Spaces [PDF]

open access: yes, 2019
The abstraction of musical structures (notes, melodies, chords, harmonic or rhythmic progressions, etc.) as mathematical objects in a geometrical space is one of the great accomplishments of contemporary music theory.
Nardelli, Marco Buongiorno
core   +1 more source

Musical Aptitude and the Acquisition of Pitch and Duration in L2 Vowels

open access: yesLeviathan: Interdisciplinary Journal in English, 2023
Music and language have been believed to be processed similarly in the brain. Studies have compared the processing of vowels and music, as they share spectral and temporal features such as pitch and timing. When comparing music and language skills the question arises whether music skills are inherent, measured with aptitude, or acquired, measured with ...
openaire   +1 more source

Psychophysiological effects of music on sadness in participants with and without depressive symptoms

open access: yesBMC Complementary Medicine and Therapies
Background Sadness can be a harbinger of serious medical conditions and a primary manifestation of depressive symptoms. Music is a promising modality for regulating sadness, although its effect on participants, whether with or without long-term ...
Xuanyi Wang   +6 more
doaj   +1 more source

Retrospective Analysis of the Impact of Music Therapy on the Pain Level and Comfort of Patients Undergoing Catheterization for Benign Prostatic Hyperplasia

open access: yesNoise and Health
Objective: This study aimed to retrospectively analyze the impact of music therapy on pain levels and comfort in patients undergoing catheterization for benign prostatic hyperplasia. Methods: A retrospective analysis was conducted on the clinical data of
Yurong Li, Guiheng Chen, Chunpu Liu
doaj   +1 more source

Choosers: The design and evaluation of a visual algorithmic music composition language for non-programmers [PDF]

open access: yes, 2018
Algorithmic music composition involves specifying music in such a way that it is non-deterministic on playback, leading to music which has the potential to be different each time it is played.
Bellingham, Matt   +2 more
core   +1 more source

Video clip editing and duration of the shot: analysis of the editing in ‘I Took a Pill in Ibiza’ (Mike Posner) [PDF]

open access: yesDoxa Comunicación, 2017
Music videos are an audiovisual format that is created by the music industry for a performer’s public image and commercial purposes. This research aims to describe common practices in production and editing of current music videos regarding one ...
José Patricio Pérez Rufí   +1 more
doaj  

ALEA III: Millennium Project, March 25, 1995 [PDF]

open access: yes, 1995
This is the concert program of the ALEA III: Millennium Project performance on Saturday, March 25, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Exploring differences between groove and catchiness

open access: yesFrontiers in Psychology
IntroductionGroove and catchiness play a significant role in popular music, and a series of studies has shown that they are positively related. In this study, we explored the limits of this relationship: when are groove and catchiness not related, and ...
Toni A. Bechtold   +3 more
doaj   +1 more source

The Effect of Music Therapy on Patients' Blood Pressure in Endoscopy Unit in Bou-Ali hospital, Ardebil [PDF]

open access: yes
Today, endoscopic evaluation of digestive system is an important diagnostic approach in gastrointestinal diseases. As it is an invasive method, it causes fear and anxiety in patients.
امانی, فیروز   +2 more
core  

Learning Distributed Representations for Multiple-Viewpoint Melodic Prediction [PDF]

open access: yes, 2013
The analysis of sequences is important for extracting in- formation from music owing to its fundamentally temporal nature. In this paper, we present a distributed model based on the Restricted Boltzmann Machine (RBM) for learning melodic sequences.
Cherla, S.   +3 more
core  

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