Results 1 to 10 of about 5,047 (198)

Famiglie d’Arte: Eleonora Duse e il sostrato teatrale ottocentesco

open access: yesDrammaturgia
The section is devoted to the biographical profiles of Luigi Duse (1792-1854), Alessandro Vincenzo Duse (1820-1892) and Angela Cappelletto Duse (1833-1875).
Francesca Simoncini
doaj   +2 more sources

Luigi Duse

open access: yesDrammaturgia
Luigi is the founder of the Duse theatrical family, which also includes his granddaughter, Eleonora. He is an important figure in Northern Italy’s popular theatre, especially the Veneto region, in the first half of the 19th century.
Paolo Albonetti
doaj   +2 more sources

Dalla scena alla pagina: le ‘trasfigurazioni’ di Eleonora Duse

open access: yesEnthymema, 2013
Starting from some notes on the ‘transfiguration’ of personal memories on the written page, this essay uncovers the problems that actress Eleonora Duse had with the publication of D’Annunzio novel The Flame.
Maria Pia Pagani
doaj   +2 more sources

Angelica Cappelletto Duse

open access: yesDrammaturgia
Angelica Cappelletto is the wife of Alessandro Vincenzo Duse and the mother of Eleonora. She has acted in secondary theatre companies without excelling in her profession, reaching only once the role of prima attrice.
Maria Pia Pagani
doaj   +3 more sources

Aprile 1924: fiori di carta per Eleonora Duse

open access: yesEnthymema, 2014
Questo contributo porta alla luce vari articoli usciti sulle principali testate italiane con l’annuncio della morte di Eleonora Duse, avvenuta a Pittsburgh il 21 aprile 1924. Essi racchiudono intensi ricordi che vanno ben oltre il necrologio tradizionale,
Maria Pia Pagani
doaj   +2 more sources

Alessandro Vincenzo Duse

open access: yesDrammaturgia
The third son of Luigi, Alessandro (or Vincenzo) is best remembered as the father of Eleonora. Starting his career as a young and unbright primo attore, he becomes a brillante, a caratterista, and finally a generico working with his daughter.
Paolo Albonetti
doaj   +2 more sources

Eleonora Duse interpreta Gor'kij (Parigi-Milano, ottobre 1905)

open access: yesEnthymema, 2013
Questo contributo porta alla luce alcuni problemi relativi a traduzione e allestimento de I bassifondi (L’albergo dei poveri) di Maksim Gor’kij – l’unico dramma russo che Eleonora Duse riuscì a includere nel suo repertorio.
Maria Pia Pagani
doaj   +2 more sources

Brief consideration on the use of the theatre of oppressed in anti-bullying activities in schools [PDF]

open access: yesMATEC Web of Conferences, 2021
The problem of bullying is of great importance in education, due to the severity of its consequences. The paper aims to present some ideas about how theatre, as an art form, can be used in the fight against bullying in education. In this context, the use
Duşe Carmen Sonia, Duse Dan Maniu
doaj   +1 more source

Duše jako směs jsoucnosti, totožnosti a různosti v Platónově dialogu Tímaios (TIM. 35a1-b3)

open access: yesFilozofia, 2022
The main aim of this study is to thoroughly analyze and explain the meaning of a crucial passage 35a1-b3 from Plato’s Timaeus . At first, two rival readings of the text are presented and critically examined. Since the first one, championed for example by
Jiří Stránský
semanticscholar   +1 more source

A georeferenced dataset of drought and heat-induced tree mortality in Europe [PDF]

open access: yesOne Ecosystem, 2019
Global warming is altering climate patterns and the frequency and magnitude of heat and drought events affecting ecosystems worldwide. One of the effects of these changes is tree mortality driven by heat and drought, which have effects in forest ...
Giovanni Caudullo, José I Barredo
doaj   +3 more sources

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