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2022
Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas, p ...
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Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas, p ...
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Dynamical Music with Musical Boolean Networks
2018An extended Boolean network model is investigated as a possible medium in which a human composer can write music. A Boolean network is a simple discrete-time dynamical system whose state is characterised by the states of its constituent Boolean-valued vertices.
George Gabriel, Susan Stepney
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Distinguishable musical dynamics
The Journal of the Acoustical Society of America, 1989Loudness changes, which composers specify by musical dynamics pp, p, mp, mf, f, and ff, make music exciting. The goal of this study is a usable and rational specification of an “acceptable” dynamic range for musicians. Requiring that a note at one dynamic level be at least s dB more intense than nearby notes at the next-lower dynamic level leads to a ...
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The functional dynamics of music
Music and Letters, 1948THE approach to the study of the nature of music must start with its origins. But Scores of philosophers, economists and scientists have in the last two hundred years attempted to get to the truth, and yet have not been able to present as much as one acceptable theory, indeed, one uncontested fact. . . . Music . . .
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Dynamic characteristics of musical note for musical instrument classification
2011 IEEE International Conference on Signal Processing, Communications and Computing (ICSPCC), 2011The changes of short-term feature in a musical note can reflect the timbre of musical instrument. In this paper, the short-term features of frames in a musical note instead of in a window of fixed length are integrated into a note feature vector, which captures the dynamic characteristics of musical note, by diverse integration methods such as ...
Ying Hu, Guizhong Liu
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Dynamic Semantic Music Notation
2017The Music Encoding Initiative (MEI) XML schema expresses musical structure addressing score elements at musically meaningful levels of granularity (e.g., individual systems, measures, or notes). While this provides a comprehensive representation of music content, only concepts and relationships provided by the MEI schema can be encoded.
David M. Weigl, Kevin R. Page
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Analyzing Temporal Dynamics in Music
Music Perception, 2005THIS ARTICLE INTRODUCES THEORETICAL and analytical tools for research involving musical emotion or musical change. We describe techniques for visualizing and analyzing data drawn from timevarying processes, such as continuous tension judgments, movement tracking, and performance tempo curves.
Bradley W. Vines +2 more
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Complex dynamics and musical structure
Interface, 1990Abstract A piece of music is generally perceived as the time evolution of acoustical signals, but, because of its complexity, the intrinsic dynamics of the music cannot be easily identified or characterized. A musical sequence can also be considered as the time series resulting from a dynamical phenomenon.
Boon, Jean‐pierre +2 more
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Dynamic texture models of music
2009 IEEE International Conference on Acoustics, Speech and Signal Processing, 2009In this paper, we consider representing a musical signal as a dynamic texture, a model for both the timbral and rhythmical qualities of sound. We apply the new representation to the task of automatic song segmentation. In particular, we cluster sequences of audio feature-vectors, extracted from the song, using a dynamic texture mixture model (DTM).
Luke Barrington +2 more
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Musical Skin: A Dynamic Interface for Musical Performance
2011Compared to pop music, the audience of classical music has decreased dramatically. Reasons might be the way of communication between classic music and its audience that depends on vocal expression such as timbre, rhythm and melody in the performance. The fine details of classic music as well its implied emotion among the notes become implicit to the ...
Heng Jiang, Teng-Wen Chang, Cha-Lin Liu
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