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Dynamical systems theory for music dynamics

open access: yesChaos, 1995
We show that, when music pieces are cast in the form of time series of pitch variations, the concepts and tools of dynamical systems theory can be applied to the analysis of temporal dynamics in music. (i) Phase space portraits are constructed from the time series wherefrom the dimensionality is evaluated as a measure of the global dynamics of each ...
Jean Pierre Boon, Olivier Decroly
exaly   +5 more sources

Music dynamics visualization for music practice and education

open access: yesMultimedia Tools and Applications
Abstract Currently, musicians rely on their sense of hearing and notation cues on sheet music to precisely perform musical dynamics. However, other tools can help visualize music dynamics efficiently and enable musicians to create, emulate, and perform more effectively.
Eun Ji Park
exaly   +2 more sources
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Modelling musical dynamics

Proceedings of the 5th Audio Mostly Conference: A Conference on Interaction with Sound, 2010
This paper deals with dynamics, i.e. loudness, in music. We developed models to describe and recreate dynamics properties of human musicians' expressive performances within a performance system. Their diversity and variability bears a particular challenge to the flexibility of such models.
Axel Berndt, Tilo Hähnel
openaire   +1 more source

Dynamical Music with Musical Boolean Networks

2018
An extended Boolean network model is investigated as a possible medium in which a human composer can write music. A Boolean network is a simple discrete-time dynamical system whose state is characterised by the states of its constituent Boolean-valued vertices.
George Gabriel, Susan Stepney
openaire   +1 more source

Dynamic texture models of music

2009 IEEE International Conference on Acoustics, Speech and Signal Processing, 2009
In this paper, we consider representing a musical signal as a dynamic texture, a model for both the timbral and rhythmical qualities of sound. We apply the new representation to the task of automatic song segmentation. In particular, we cluster sequences of audio feature-vectors, extracted from the song, using a dynamic texture mixture model (DTM).
Luke Barrington   +2 more
openaire   +1 more source

The functional dynamics of music

Music and Letters, 1948
THE approach to the study of the nature of music must start with its origins. But Scores of philosophers, economists and scientists have in the last two hundred years attempted to get to the truth, and yet have not been able to present as much as one acceptable theory, indeed, one uncontested fact. . . . Music . . .
openaire   +1 more source

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