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, 2019
This paper seeks to explain the empirical puzzle why between 1985 and 2005 electronic/dance music remained a “scene-based” genre in the US, whereas it developed as a successful “industry-based” genre in the UK.
Rens Wilderom, A. Venrooij
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This paper seeks to explain the empirical puzzle why between 1985 and 2005 electronic/dance music remained a “scene-based” genre in the US, whereas it developed as a successful “industry-based” genre in the UK.
Rens Wilderom, A. Venrooij
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2022
Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas, p ...
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Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas, p ...
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Distinguishable musical dynamics
The Journal of the Acoustical Society of America, 1989Loudness changes, which composers specify by musical dynamics pp, p, mp, mf, f, and ff, make music exciting. The goal of this study is a usable and rational specification of an “acceptable” dynamic range for musicians. Requiring that a note at one dynamic level be at least s dB more intense than nearby notes at the next-lower dynamic level leads to a ...
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Isolating the dynamic attributes of musical timbrea)
The Journal of the Acoustical Society of America, 1993Three experiments examined the dynamic attributes of timbre by evaluating the role of onsets in similarity judgments. In separate experiments, subjects heard complete orchestral instrument tones, the onsets of those tones, and tones with the onsets removed (‘‘remainders’’).
P, Iverson, C L, Krumhansl
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The dynamics of musical strings
The Journal of the Acoustical Society of America, 1991The resonance contours of a number of musical strings have been traced when operating in isolation from an instrument body, with more precisely defined loading and terminal conditions than are found in normal use, and with very small excitation amplitudes.
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MuVi: Video-to-Music Generation with Semantic Alignment and Rhythmic Synchronization
arXiv.orgGenerating music that aligns with the visual content of a video has been a challenging task, as it requires a deep understanding of visual semantics and involves generating music whose melody, rhythm, and dynamics harmonize with the visual narratives ...
Ruiqi Li +5 more
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Music analysis with a Bayesian dynamic model
2009 IEEE International Conference on Acoustics, Speech and Signal Processing, 2009A Bayesian dynamic model is developed to model complex sequential data, with a focus on audio signals from music. The music is represented in terms of a sequence of discrete observations, and the sequence is modeled using a hidden Markov model (HMM) with time-evolving parameters.
Lu Ren +3 more
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EEG dynamics during music appreciation
2009 Annual International Conference of the IEEE Engineering in Medicine and Biology Society, 2009This study explores the electroencephalographic (EEG) correlates of emotions during music listening. Principal component analysis (PCA) is used to correlate EEG features with complex music appreciation. This study also applies machine-leaning algorithms to demonstrate the feasibility of classifying EEG dynamics in four subjectively-reported emotional ...
Yuan-Pin, Lin +2 more
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Tag-aware dynamic music recommendation
Expert Systems with Applications, 2018Abstract We present a tag-aware dynamic music recommendation framework that achieves personalized and accurate music recommendations to users. The proposed framework leverages the available semantic labels (in terms of tags) of music tracks to complement a highly sparse user-item interaction matrix, which effectively addresses the data sparsity issue
Ervine Zheng +3 more
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The dynamics of dynamics: A model of musical expression
The Journal of the Acoustical Society of America, 1992A computational model of musical dynamics is proposed that complements an earlier model of expressive timing. The model, implemented in the artificial intelligence language LISP, is based on the observation that a musical phrase is often indicated by a crescendo/decrescendo shape.
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