Results 21 to 30 of about 377 (67)
, 2020 This is an analytical monograph by a Schenkerian music theorist, but it is also written by one performer and enthusiast for another. Tonality as Drama draws on the fields of dramaturgy, music theory, and historical musicology to answer a fundamental ...
Latham, Edward
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Popular Traditions, Carnival, Dance [PDF]
, 2018 Musica, danza, e relazioni con la spettacolarità dei riti carnevaleschi medievali sono componenti tradizionalmente associate dalla critica alla rappresentazione della c.d. Commedia dell'Arte.
Drusi, Riccardo
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The Reception of Gerhart Hauptmann's Dramas in Russia [PDF]
, 2013 Submitted to the Department of Germanic Languages and Literatures and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy.The reception of Gerhart Hauptmann's ...
Findlay, Roger L.
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An Explosive Genealogy: Theatre, Philosophy and the Art of Presentation [PDF]
, 2006 Not only in its conceptual reconstruction but also in the straightforward application of Badioursquo;s thought its problems and tensions come to light.
Feltham, Oliver
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Russian specialized periodicals in culture as a modern communicative channel [PDF]
, 2019 The key factor of modern society development is mass media, and nowadays its demanded business model is the translation of advertising ...
Karpenko, I. I. +5 more
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Habimah's The dybbuk as an intercultural work [PDF]
, 2002 Performed by the Habimah theatre over 1100 times, The Dybbuk has been a cornerstone of the Zionist theatre movement since its first production in January of 1922.
Weisser, Molly
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ГРОТЕСК У РЕЖИСУРІ Є. ВАХТАНГОВА, О. ГРАНОВСЬКОГО, ЛЕСЯ КУРБАСА, ВС. МЕЙЄРХОЛЬДА [PDF]
, 2020 The purpose of the article is to highlight the formative principles of the grotesque in the practice of innovative directors E. Vakhtangov, A. Granovsky, Les Kurbas, Vs. Meyerhold.
Boiko, Tetiana, Tatarenko, Maryna
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Michael Chekhov and His Approach to Acting in Contemporary Performance Training [PDF]
, 2002 Michael Chekhov was an actor, director, and teacher who was determined to develop a clear and accessible acting approach. During his lifetime, his ideas were often viewed as too radical and mystical.
Solomon, Richard
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Exhibiting Jewish culture in Postwar Britain: Glasgow's 1951 Festival of Jewish Arts [PDF]
, 2019 The Festival of Jewish Arts in Glasgow was the first and largest Jewish festival in Britain, conceived as a response to, and timed to coincide with, the Festival of Britain in 1951.
Spiro, Mia
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Para la historia de la recepción de Bertolt Brecht en revistas culturales españolas de preguerra. [PDF]
Sin ...
Fernández Insuela, Antonio
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