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Ten Reasons Why E. H. Gombrich is not Connected to Art History
Human Affairs, 2009Ten Reasons Why E. H. Gombrich is not Connected to Art History This is a speculative essay on the place of E. H. Gombrich in art history. Gombrich is universally known, and still often studied at the undergraduate and graduate levels. He is indispensable for the historiography of the discipline.
James Elkins
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E. H. Gombrich's Adoption of the Formula form Follows Function: A Case of Mistaken Identity?
Human Affairs, 2009E. H. Gombrich's Adoption of the Formula form Follows Function: A Case of Mistaken Identity? This article is a longer note on what is a minor problem in the oeuvre of a great art historian. Its theme is E. H. Gombrich's use of the formula form follows function as the summary of his commonsense approach to the problem of style change ...
Jan Michl
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The Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective
Critical Inquiry, 1984The immediate occasion, or should I sayjustification, of this retrospective is E. H. Gombrich's most recent volume, The Image and the Eye (1982). Its subtitle, Further Studies in the Psychology of Pictorial Representation, refers us back to his landmark volume, Art and Illusion (1960), which bore the subtitle A Study in the Psychology of Pictorial ...
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E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism
Human Affairs, 2009E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism The commonalities Gombrich affirmed between his own positions on science, politics, and art and those of his friend Karl Popper are key to understanding both his work on the history of style and the conservative fulminations on method he published
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E. H. Gombrich on Creativity: A Cognitive–Historical Case Study
Creativity Research Journal, 2008E. H. Gombrich (1909–2001) was almost certainly the most broadly known art historian of the 20th century, and his scholarly work has influenced researchers in many domains. Among psychologists, Gombrich's impact has been greatest in the area of visual perception, largely through the ideas articulated in his book Art and Illusion (1960).
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E. H. Gombrich, Immagini e parole, a cura di L. Biasiori, Roma, Carocci, 2019
, 2019 Biasiori, L., E. H. GOMBRICH
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L'"Eredità di Apelle": riflessioni ekphrastiche nel pensiero di E. H. Gombrich
, 2004 CIERI, Claudia
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