Results 31 to 40 of about 39,246,606 (174)

PAINTING HISTORY: PICTURE, WITNESS, AND ANCIENT HISTORIOGRAPHY

History and Theory, Volume 63, Issue 3, Page 403-431, September 2024.
ABSTRACT This article treats an analogy that is used persistently in the history of historiography: the equation of historiography with painting and the identification of the historiographer with the painter. In examining the conceptual stakes of this (auto)identification, the article mobilizes the analogy in order to explore larger issues of ...
LUUK DE BOER
wiley   +1 more source

VALIDATING HISTORICAL INTERPRETATIONS: AN APPROACH FROM CULTURAL ANTHROPOLOGY

History and Theory, Volume 63, Issue 3, Page 384-402, September 2024.
ABSTRACT Historians and anthropologists share a common problem of setting criteria for the validation of their interpretations. While many features are shared and explicit—for example, that a full range of data needs to be considered and that information should be reliably sourced—the actual criteria for assessing supportable interpretations are ...
LAWRENCE ROSEN
wiley   +1 more source

”Art and psychoanalysis – 15 June 1988. Speakers: Professor Joseph Sandler and Professor Sir Ernst Gombrich”, part of the series “Dialogues on Contemporary Issues” hosted by the British Psycho-Analytical Society in the summer term of 1988 [PDF]

, 2012
The previously unpublished conversation between Ernst Gombrich and Joseph Sandler in 1988 constitutes an exciting meeting of minds in the field of art history and psychoanalysis, respectively.
Joseph Sandler, Rachel Dedman (ed.), Ernst Gombrich   +2 more
core  

‘Immagini e parole: a new Italian collection of essays by E.H. Gombrich, brings a significant contribution to a seventy-year long debate in Italy and abroad’. Review of: Immagini e parole by Ernst H. Gombrich, edited by Lucio Biasiori, Rom [PDF]

Journal of Art Historiography, 2019
This Italian edition of a collection of essays (hitherto unpublished in Italian) by E.H. Gombrich allows us to rethink the connection between words and pictures from a sensibly different perspective from the discussions of the early 2000s.
Giuseppe Barbieri
doaj  

Using represented bodies in Renaissance artworks to teach musculoskeletal and surface anatomy

Anatomical Sciences Education, Volume 17, Issue 1, Page 24-38, January/February 2024.
Abstract Surface anatomy is an important skill for students in preparation for patient care, and peer examination is often used to teach musculoskeletal and surface anatomy. An alternative pedagogical approach is to use bodies represented in artworks.
M. Melissa Gross, Jennifer E. Gear, Wendy M. Sepponen   +2 more
wiley   +1 more source

Arte e psicoanalisi nella prospettiva di Gombrich

, 2014
Ernst H. Gombrich has always shown particular attention to the psychology of art as psychology of representation (and enjoyment) of art. In addition, through his friendship with Ernst Kris, who had been a respected art historian in the staff of the ...
Ferrari, Stefano
core   +1 more source

Hegel and Gombrich on the Particular Forms of Art and their Persistence

Filozofia
Hegel’s aesthetics is not only organized around a developed account of the differing artistic genres (from architecture to poetry) but also articulates the importance of the particular forms of art (i.e., the symbolic, classical and romantic).
Allen Speight
doaj   +1 more source

The young Arnold Hauser and the Sunday Circle: the publication of Hauser’s estate preserved in Hungary [PDF]

Journal of Art Historiography, 2019
In his well-known review of Hauser in the Art Bulletin E. H. Gombrich posed the rhetorical question: ‘has a social historian really nothing to say about Ambrogio Lorenzetti’ s Good Government…?’ The preceding passages reveal that Gombrich found him ...
Csilla Markója
doaj  

Ernst H. Gombrich on Abstract Painting [PDF]

, 2015
Ernst H. Gombrich criticized abstract painting with several remarks scattered around his wide oeuvre. I argue that his view of abstract paintings is coherent with the account of pictorial representation he put forward in Art and Illusion, show some ...
Caldarola, Elisa, Elisa Caldarola
core   +1 more source

Et in Arcadia ego. Panosfski en perspectiva

RA. Revista de Arquitectura, 2007
En el presente ensayo se analiza la biografía científica del célebre historiador del arte Erwin Panofsky, intentando evaluar su legado a la historia del arte y de la cultura a partir de los comentarios críticos, explícitos o implícitos, que nos ha dejado
Carlos Montes Serrano
doaj