Results 1 to 7 of about 10 (7)

İran’da Devrim Sonrası Sinema: İbrahim Hatemikiya Filmlerinde Devrim Düşüncesi, Cephe ve “Hüviyet” İnşası

open access: yesMedya ve Din Araştırmaları Dergisi, 2020
İran, 1979’da gerçekleşen İslam Devrimi’nden sonra yeni bir yapılanma sürecine girmiştir. İslami bir kimliğe sahip olan devrim, sinema üzerinde de etkisini göstererek, sinemanın konumlandırılma ve biçimlendirilme süreçlerinde son derece belirleyici ...
Hülya Özkan
doaj   +5 more sources

Semiology of Woman's Image in Ibrahim Hatami Kia's Cinema [PDF]

open access: yesزن در فرهنگ و هنر, 2012
This research aims to make an analysis of the content and semiology of the image of the women society in the cinematic works of Ebrahim Hatamikia. The (statistical) society of this research consists of four movies (The Watchman, The Scent of Joseph's ...
Seyed Mohammad Mahdizade   +1 more
doaj   +1 more source

Psychological Analysis of the Movie of "Invitation" (2008) from the Perspective of Jean Shinoda Bolen’s Theory [PDF]

open access: yesزن در فرهنگ و هنر, 2018
The present study was conducted with the aim to analyze the female characters of the movie of "Invitation" (2008) directed by Ibrahim Hatami Kia from the view point of Jean Shinoda Bolen theory. The film is the first non-war cinematic movie by Hatamikia.
Fateme Shahroodi
doaj   +1 more source

Archetype Analysis of the Movie Red Ribbon (1998) by Jean Shinoda Bolen's Viewpoint Emphasizing on the Female Character of the Film [PDF]

open access: yesزن در فرهنگ و هنر, 2019
This article was conducted with the purpose of the archetype analysis of the "Red Ribbon" film directed by Ebrahim Hatamikia, focusing on the female character of the film.
Fatemeh Shahroodi
doaj   +1 more source

CIRSE 2019 Abstracts. [PDF]

open access: yesCardiovasc Intervent Radiol, 2019
europepmc   +1 more source
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