Results 31 to 40 of about 103 (90)
, 2022 Les fictions biographiques encombrent désormais les vitrines de nos librairies. Avec sa trilogie, « suite de trois vies » pour la quatrième de couverture de Des éclairs, Ravel (une vie d'artiste, 2006), Courir (une vie de héros, celle du champion tchèque Zatopek, 2008) et Des éclairs (une vie de savant, celle de l'inventeur Nicola Tesla, 2010), Jean ...
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Jean Échenoz ou le récit ventriloque
Cahiers de Narratologie, 2001 Bruno Blanckeman
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Jean Echenoz : géographies du vide
, 2005 L’œuvre de Jean Echenoz, publiée aux Éditions de Minuit, est l’une des plus singulières de notre époque. Couronnés par de nombreux prix (dont le Goncourt qui récompense en 1999 Je m’en vais), les romans de Jean Echenoz ont conquis un large public. En utilisant certains genres aussi populaires que le roman policier, le roman d’aventures ou le roman d ...
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[Dytrt, Petr. Le (post)moderne des romans de Jean Echenoz]
Études romanes de Brno, 2013 Darina Veverková
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2013
Plan of Occupancy is in some ways an exception in Jean Echenoz’s oeuvre due to its length (12 pages in translation minus the forward) as well as the degree to which it challenges literary conventions, including his own. Echenoz’s early novels are renditions of the classic detective story that are invariably spun into stylistic anomalies in the context ...
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Plan of Occupancy is in some ways an exception in Jean Echenoz’s oeuvre due to its length (12 pages in translation minus the forward) as well as the degree to which it challenges literary conventions, including his own. Echenoz’s early novels are renditions of the classic detective story that are invariably spun into stylistic anomalies in the context ...
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2019
In this chapter, I examine how Jean Echenoz transforms and repurposes popular genres—specifically crime fiction and the war novel--in subtly political manners. Through readings of Echenoz’s (anti-)mystery novel A Year (1997) and his short war novel 1914 (2012), I show how Echenoz smuggles biopolitical and spectral problematics into his works, enlarging
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In this chapter, I examine how Jean Echenoz transforms and repurposes popular genres—specifically crime fiction and the war novel--in subtly political manners. Through readings of Echenoz’s (anti-)mystery novel A Year (1997) and his short war novel 1914 (2012), I show how Echenoz smuggles biopolitical and spectral problematics into his works, enlarging
exaly +2 more sources