Results 31 to 40 of about 1,111 (103)

“My Body is a Spaceship”: Technoscience and Experiments Otherwise in Adam Dickinson’s Anatomic

open access: yesCanada and Beyond, 2023
What does an understanding of the self as constantly rearticulated mean for ecopoetry and the lyric “I”? And how might an emphasis on a multiscalar semiotics, where different forms of writing are understood to carry the capacity to literally reorganize ...
Max Karpinski
doaj   +1 more source

Climate Distress and the Work of Care: On Becoming and Worlding Otherwise

open access: yesGeography Compass, Volume 20, Issue 1, January 2026.
ABSTRACT This review article brings together recent work on climate distress and reparative framings of care, drawing in particular on Carr's (2022) recent call to turn to “tangible work of climate crisis” to explore the potential posed by climate distress to become and world otherwise.
J. R. Jarvis
wiley   +1 more source

Sounding Carbon Ruins: Speculative Design for Climate Futures

open access: yesLagoonscapes
How do you teach the climate changed future? Can we sound it out to get our bearing in the present? In this article, we articulate our experiences teaching theories and methods (and devising examples) of climate futuring and ecopoetics.
Macdonald, Graeme, Skinner, Jonathan
doaj   +1 more source

'The Agony of Gaia': Mountain Top Removal

open access: yesCaliban: French Journal of English Studies, 2019
Avec un titre en aposiopèse nous invitant à combler le silence d’une phrase laissée en suspens, avec en couverture l’œuvre multimédia de l’artiste plasticien Jeff Chapman-Crane "The Agony of Gaïa," le roman d’Ann Pancake donne voix aux cris de le terre ...
Bénédicte Meillon
doaj   +1 more source

Climate Poetics: Contemporary Ecopoetry and the Remaking of Elegy

open access: yesFuture Humanities, Volume 3, Issue 2, November 2025.
ABSTRACT One manifestation of the cascading ecological crises that characterize our current moment is a weakening of any sense of futurity. The implacable escalation of the climate crisis, the amplification of which is already inevitable given the carbon already in the atmosphere, has the effect of eroding any forward‐facing enterprise and ...
Thomas Storey
wiley   +1 more source

Cool Nature

open access: yesSjuttonhundratal, 2022
In this essay, an interdisciplinary group of researchers sets out to address the period 1780–1840 in Sweden in a new way, by placing nature at its centre.
Anna Albrektson   +7 more
doaj   +1 more source

Sound Art Geographies: Listening at the Limits of Audibility

open access: yesGeography Compass, Volume 19, Issue 2, February 2025.
ABSTRACT This paper explores the generative yet underexamined relation between human geography and sound art. Sound art has long been concerned with issues of spatiality, place and environment and yet interest in sound art from human geographers has been somewhat sparse, particularly when compared to the wealth of literature on visual art in the ...
George Burdon
wiley   +1 more source

Pearse Hutchinson’s Ecopoetics on Spain (1950s-1960s) [PDF]

open access: yesEstudios Irlandeses, 2020
The aim of this article is to examine Pearse Hutchinson’s critical attitude towards the tourist development of Spain in the 1960s and 1970s through his poetic production.
Verónica Membrive-Pérez
doaj  

Cultural ecologies, human sensations and natural environments: A transitivity analysis of I am Afraid of Muslims

open access: yesCogent Arts & Humanities, 2022
Ecocritical scholarship has encouraged diverse contributions from varied disciplines to the discussion of environmental issues across the globe. Given the magnitude of the problem and the frequency of the mutilation it carries along, there is a call for ...
Fauzia Janjua
doaj   +1 more source

Boreal ecopoetics: Christian Dotremont's site‐specific writing in Sápmi

open access: yesOrbis Litterarum, Volume 79, Issue 3, Page 264-279, June 2024.
Abstract Northern Fennoscandia entered Christian Dotremont's (1922–1979) imagination in 1956. The Belgian avant‐gardist was comfortable in Central‐European artistic milieus through his involvement in CoBrA (1948–1951), but a total of 12 journeys to Sápmi between 1956 and 1978 had a profound effect on his creative work, especially the logograms he is ...
Sami Sjöberg
wiley   +1 more source

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