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Exploring Appropriation as a Creative Practice
Arts, 2019 During the 1960s and 1970s, Ed Ruscha produced a series of 16 small, self-published books that became a catalyst for how artists could approach the book form.
Tom Sowden
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Fotocinema: Revista Científica de Cine y Fotografía, 2019 El presente artículo analiza la incorporación de la fotografía como miembro de pleno derecho en el arte contemporáneo, a partir de la perspectiva que la sitúa en la vertiente documental y extremadamente banalizada de los territorios del arte de concepto.
Víctor Murillo Ligorred
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Ed Ruscha and the Great American West
Panorama, 2018 Karin Breuer, editor Berkeley: University of California Press in association with the Fine Arts Museums of San Francisco, 2016. 244 pp. Hardcover $50.00 (978-0-520-290693) Reviewed by: Amanda A.
Amanda A. Douberley
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Nouvelles de l'estampe, 2010 La place d’Edward Ruscha en France se revele paradoxale. Icone internationale qu’on associe volontiers a Los Angeles, il reste une figure fuyante dont l’etiquette – terme a prendre egalement dans le sens de celui d’un petit ecriteau portant une denomination – oscille entre pop art, art conceptuel, voire surrealisme.
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Picturing Distance: Ed Ruscha's Los Angeles Photobooks [PDF]
Journal of American Studies, 2020 Ed Ruscha's photobooks create a deliberate type of low-key provocation the artist has referred to as a type of “Huh?” – a presentation of the American landscape in a book format that makes it very difficult to locate unambiguous cues for meaning or clear affect in the photographs.
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Ed Ruscha and the Great American West
Panorama, 2022 Karin Breuer, editor Berkeley: University of California Press in association with the Fine Arts Museums of San Francisco, 2016. 244 pp. Hardcover $50.00 (978-0-520-290693) Reviewed by: Amanda A.
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The secret to a successful career in science-according to Magritte. [PDF]
Proc Natl Acad Sci U S A, 2023 Goldstein JL.
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Ed Ruscha. Huit textes, vingt-trois entretiens, 1965-2009 [PDF]
Critique d’art, 2011 Edward Ruscha (« prononce Rew-Shay ») est l’un de ces artistes qui, avec Edward Kienholz, Douglas Huebler, John Baldessari, Chris Burden, Allen Ruppersberg et beaucoup d’autres, ont contribue a deplacer vers l’Ouest le centre de gravite de l’art contemporain americain depuis la guerre du Viet Nam.
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Pasteup Pictures: Ed Ruscha's Every Building on the Sunset Strip [PDF]
The Art Bulletin, 2018 In 1967, Sol LeWitt published “Paragraphs on Conceptual Art” in the journal Artforum.1 Though LeWitt conceived of “Paragraphs” as an articulation of his own art practice at that moment, the collect...
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Thomas Cole: Eden to Empire and Ed Ruscha: Course of Empire
Panorama, 2018 David Brody
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