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Eddic performance and eddic audiences
2016What exactly was an eddic poem? The first thing that can be stated with any certainty is that it was not what it has become – in other words, a poem written in ink on parchment or paper, gathered together in a book with other poems in a format designed essentially for silent, private reading, in which all the stanzas can be quickly viewed side by side ...
Terry Gunnell
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Traditions of eddic scholarship
2016This chapter characterises some types of eddic scholarship as ‘traditions’ or ‘streams (of tradition)’. It is in no way a full history of scholarship on eddic poetry; but, because traditions everywhere in cultures represent similar phenomena flowing through history, the traditions of eddic scholarship treated here can, it is hoped, suggest the ...
Joseph Harris
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2016
There have been few analyses of place-name usage in Old Norse poetry. We have the odd article discussing names in poems such as Ynglingatal (e.g. Noreen 1925; Akerlund 1939; Vikstrand 2004) and, of course, the related Old English Beowulf and Widsið .
Stefan Brink, John Lindow
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There have been few analyses of place-name usage in Old Norse poetry. We have the odd article discussing names in poems such as Ynglingatal (e.g. Noreen 1925; Akerlund 1939; Vikstrand 2004) and, of course, the related Old English Beowulf and Widsið .
Stefan Brink, John Lindow
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Eddic poetry and heroic legend
2016Introduction In his preface to a recent collection of essays on eddic heroic poetry and heroic legend, Tom Shippey remarks on the nineteenth-century realisation that ‘there was something recognisable in the heroic poems of what came to be called “the Elder Edda”’ (Shippey 2013: xiv).
C. Larrington
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Sacred Legal Places in Eddic Poetry: Reflected in Real Life?
Journal of the North Atlantic, 2013Abstract Eddic poetry constitutes an important gateway into the pre-Christian legal universe of Scandinavia. This paper presents a broader, deeper discusson of how the thing functions in the eddic poems and the legal language and motifs that are used around this concept.
A. Riisøy
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