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Orality, literacy, and the making of 13th century Eddic Poetry

open access: yes, 2007
The Codex Regius of the Elder Edda (GKS 2365 4to), a medieval manuscript wrought with speculation, who created it and for what purpose? It has long been assumed that eddic poetry was oral poetry and yet this unique codex of mythological and heroic eddic poems seems to betray every arguable sign of literary workings.
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Place names in eddic poetry

2016
There have been few analyses of place-name usage in Old Norse poetry. We have the odd article discussing names in poems such as Ynglingatal (e.g. Noreen 1925; Akerlund 1939; Vikstrand 2004) and, of course, the related Old English Beowulf and Widsið .
Stefan Brink, John Lindow
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Eddic Poetry

2008
Rather than being a genre in its own right, “Eddic poetry” is essentially a body of poetry dealing with Old Nordic mythology and Old Nordic/Germanic heroes that was preserved for the main part in two Icelandic manuscripts from the late thirteenth and early fourteenth centuries: the Codex Regius (GKS 2365 4to: c. 1270) and the AM 748 IA 4to (c.
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A Handbook to Eddic Poetry

2016
This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as ...
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Alliterative lexical collocations in eddic poetry

2016
Lexical collocations stem from the diction of traditional oral alliterative poetry and may be regarded as one of the stylistic features which characterise the corpus of mythological and heroic lays preserved in Codex Regius (GKS 2365, 4°). The versifiers’ creation of privileged, though not necessarily semantically close, combinations of two or more ...
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Eddic poetry and heroic legend

2016
Introduction In his preface to a recent collection of essays on eddic heroic poetry and heroic legend, Tom Shippey remarks on the nineteenth-century realisation that ‘there was something recognisable in the heroic poems of what came to be called “the Elder Edda”’ (Shippey 2013: xiv).
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