Results 31 to 40 of about 178,892 (186)

Nuova opera [PDF]

, 2022
The Florentine Giovanni Cavalcanti (1381-c.1451), a member of a fallen branch of his family, had a life troubled by imprisonment for debt. Desire for justice and revenge informs his writings. Nuova opera is a heterogeneous text: punctuated by short stories and anecdotes, at the crossroads of historical chronicle and moral satire, it narrates and ...
openaire   +2 more sources

Grazia Deledda, Annalena Bilsini, edizione critica a cura di Dino Manca, Sassari, EDES, 2018

Prassi Ecdotiche della Modernità Letteraria, 2019
Grazia Deledda, Annalena Bilsini, edizione critica a cura di Dino Manca, collana “Filologia della letteratura degli italiani”, Edizioni critiche/6, Strumenti/7, Sassari, EDES, 2018.
Maria Rita Mastropaolo
doaj   +1 more source

Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration

Renaissance Studies, Volume 40, Issue 3, Page 489-506, June 2026.
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley   +1 more source

Gabriele d’Annunzio, Fedra

Archivio d’Annunzio
D’Annunzio, G. (2024). Fedra. Edizione critica e commentata a cura di E. Ripari. Gardone Riviera: Il Vittoriale degli Italiani, 2024, pp. CLIX-541. Edizione Nazionale delle Opere di Gabriele d’Annunzio.
Cristofari, Gioele
doaj   +1 more source

"Il Cinque Maggio": storia del testo ed edizione critica

Prassi Ecdotiche della Modernità Letteraria, 2019
Il presente contributo ricostruisce la storia della composizione del Cinque Maggio e ne offre una nuova edizione critica costituita dall’integrazione di due edizioni parziali: quella della prima redazione dell’ode con le sue varianti e quella del testo ...
Isabella Becherucci
doaj   +1 more source

Waste pickers in extended producer responsibility policies: A comparative analysis of Brazil and the European Union

Review of European, Comparative &International Environmental Law, Volume 34, Issue 2, Page 352-364, July 2025.
Abstract This article presents a case study of extended producer responsibility (EPR) policies adopted by the European Union (EU) and Brazil. It focuses on waste pickers—a group increasingly visible in EU countries such as Spain and Italy. While EU directives emphasise the polluter pays principle, little attention is given to the role of informal ...
Leila Giovana Izidoro, Ana Flávia Trevizan   +1 more
wiley   +1 more source

I, monster: queerness and the Liber Monstrorum in early medieval St Gall

Early Medieval Europe, Volume 32, Issue 4, Page 543-564, November 2024.
This article analyses a ninth‐century copy of the Liber monstrorum from St Gall in which the first monster, a ‘human of both sexes’, speaks in the first person. The scribe also put the Liber monstrorum into dialogue with Isidore of Seville’s Etymologiae, in which Isidore argued that monsters were not ‘contrary to nature’.
Michael Eber
wiley   +1 more source

For a lesson on Ferdinando Bandini's "Berceuse"

Prassi Ecdotiche della Modernità Letteraria, 2017
Fernando Bandini Archives (stored up at the Biblioteca dell’Accademia Olimpica in Vicenza) includes a folder (Envelope G/III, 39) that contains manuscripts, typographies, photocopies of prints and pages extracted from publications in magazines related to
Rodolfo Zucco
doaj   +1 more source

Bernal de Bonaval, Fremosas, a Deus grad’, é tan bon dia comigo (B1135/V726)

Estudios Románicos, 2021
Il contributo presenta una nuova edizione critica della cantiga di Bernal de Bonaval, Fremosas, a Deus grad’, è tan bon dia comigo (B1135/V726). A partire dall’edizione di José Joaquim Nunes, pubblicata nel 1926, tutti gli editori sono intervenuti, senza
Fabio Barberini
doaj   +1 more source

‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies

Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.
Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley   +1 more source