Eduard hanslick - Open Access .click

2018
Eduard Hanslick, a music critic for the popular Viennese press, is principally known as the author of Vom Musikalisch-Schönen (1854). This is probably the most widely read work in the aesthetics of music for both philosophers and musicians, and remains the starting point for any discussion either of the place of emotion in music, or of the doctrine ...
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Eduard Hanslicks Rezeption im englischen Sprachraum

2016
Die vorliegende Dissertation untersucht die historische Entwicklung von Eduard Hanslicks Rezeption im englischen Sprachraum, die strukturell bedeutenden Diskursformen, die diese entscheidend beeinflusst haben, sowie dessen beachtliche Auswirkung auf die gegenwärtige Theoriebildung in der analytischen Musikästhetik. Kap.
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Eduard Hanslick and Ritter Berlioz in Prague: A Documentary Narrative

Notes, 1993
In 1846, Hector Berlioz, one of the most revolutionary of composers, gave six concerts in Prague, at that time one of the most musically conservative cities in Europe. Debate raged in the journals and coffee-houses over whether Berlioz's compositions could rightly be considered music at all.
Kenneth DeLong, Geoffrey Payzant
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Eduard Hanslick

Österreichische Musikzeitschrift, 2004
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formalism
19th century
aesthetics

music
austrian philosophy
immanuel kant

august wilhelm ambros
robert zimmermann
musical beauty