Results 11 to 20 of about 2,827 (151)
RECONCEIVING THE PRACTICE OF HISTORY: FROM REPRESENTATION TO TRANSLATION
History and Theory, Volume 62, Issue 1, Page 106-128, March 2023., 2023 ABSTRACT Arguing that history is not the application of a rigorous method to sources bequeathed to us from the past but rather a practice of coding that constructs “the past” in particular ways, this article seeks to delineate the key elements of this coding.
Sanjay Seth
wiley +1 more source
Das zweifelnde Gehör. Erwartungssituationen als Module im Rahmen einer performativen Analyse tonaler und posttonaler Musik [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2013 Ausgehend von einer Auseinandersetzung mit Hörerwartung und -erinnerung in der Geschichte der Musikanalyse und -ästhetik (Weber, Hanslick, Adorno) sowie mit neueren Ansätzen rezeptionsästhetisch konzipierter Theoriesysteme (vor allem Hepokoskis und ...
Christian Utz
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Musicologica Brunensia, 2017 Until now the exchange between Eduard Hanslick and August Wilhelm Ambros has been interpreted mainly in connection with their writings on musical aesthetics from the 1850s.
Markéta Štědroňská
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, 2021 Winning essay of the American Society for Aesthetics' inaugural Peter Kivy Prize. Extends Kivy's notion of sonic picturing through engagement with recent work in philosophy of perception.
Leddington, Jason P.
core
Phrases musicales : La musique dans la philosophie de Wittgenstein [PDF]
, 2007 L’auteure examine ici la portée du paradigme musical dans la philosophie de Wittgenstein. Le cadre de cet examen est l’approche à partir de Wittgenstein de ce que les philosophes ont aujourd’hui à dire de la signification musicale. Deux styles d’approche
Soulez, Antonia
core +1 more source
De Musica Disserenda, 2015 The paper compares Hanslick’s book Vom Musikalisch-Schönen (1854) with August Wilhelm Ambros’s Die Grenzen der Musik und Poesie (1855). Whereas Hanslick perceived the uniqueness of music in its radical autonomy, Ambros tried to find common ground with ...
Barbara Boisits
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Epistemologia e autonomia no conceito de ideia musical de E. Hanslick
Trans/Form/AçãoO presente trabalho aborda a filosofia estética de Eduard Hanslick, no intuito de demarcá-la enquanto abordagem epistemológica da música e um caso paradigmático para a autonomia musical.
Ricardo Miranda Nachmanowicz
doaj +1 more source
Re-Reading Hanslick's Aesthetics [PDF]
The British Journal of Aesthetics, 2019 This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick’s reception, which developed distinctly as part of different academic disciplines (history of art, musicology ...
openaire +6 more sources
The Imaginary Life of Nineteenth-Century Virtuosity [PDF]
, 2013 Nineteenth-century virtuosity can be understood as a form of subjection under a musical law whose power could only be broken by hyperbolic responses of self-annihilating over-fulfilment of this law's relentless demands.
Ruprecht, Lucia
core +1 more source
An Account of Emotional Specificity in Classic-Romantic Music
Current Musicology, 2012 Many, if not most, contemporary philosophers of music contend that the musical expression of an emotion does not depend upon the perceiver feeling that emotion.1 That is, while these scholars do not necessarily deny that emotional responses to music are ...
Jeffrey Swinkin
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