Results 21 to 30 of about 2,827 (151)

Wittgenstein, Modern Music, and the Myth of Progress [PDF]

, 2017
Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to ...
Guter, Eran
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Formalismo y materialismo: el problema de la materialidad del arte en Eduard Hanslick [PDF]

, 2009
In the very origins of formalism as a theory of arts, and in the context of the debate concerning a certain determinist formulation of "materialism" (that of G.
Díaz Soto, David
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Do som na autonomia musical ao som automizado em arte de ruído de Luigi Russolo

Artefilosofia
Resumo: O artigo busca definir e caracterizar a autonomia artística nas obras teóricas de Eduard Hanslick e Luigi Russolo: (1) a partir de uma análise do som no contexto da autonomia musical e (2) a partir de uma análise do ruído no contexto da ...
Ricardo M. Nachmanowicz
doaj   +1 more source

Canadian Women Composers in Modernist Terrain: Violet Archer, Jean Coulthard and Barbara Pentland [PDF]

, 2009
The successful compositional careers of Jean Coulthard, Barbara Pentland, and Violet Archer spanned all but the first three decades of the twentieth century.
Danielson, Janet Henshaw
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The Puccini Code [PDF]

, 2013
Written in the style of novelist Dan Brown and using actual quotations from Puccini’s letters and other documents, the author creates the characters Prof.
Burton, Deborah
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Formalismo y materialismo: el problema de la materialidad del arte en Eduard Hanslick

Bajo Palabra, 2016
En el origen del formalismo como teoría de las artes, y en torno al debate con cierto “materialismo” teórico de corte determinista (el de G. Semper), se plantea una antinomia entre la dimensión perceptual o fenoménica del arte y su dimensión físico ...
D. Díaz Soto
doaj  

Zorn: Avant/Après/Passé [PDF]

Avant, 2012
Witold Wachowski’s brief exchange with John Zorn provides us with many valuable insights relating to the composer’s aesthetic. Zorn’s professed antipathy towards audiences, his faith in the creative instinct of the “artist,” and his belief in the ...
John Lowell Brackett
doaj  

Glanz und Elend der absoluten Melodie : Gioachino Rossini im Urteil der (vornehmlich deutschen) zeitgenössischen Literatur [PDF]

, 1999
Nicht nur in Italien wird Rossini rasch zu einer Figur von öffentlichem Interesse. Die Großen seiner Zeit, von Metternich zu Hegel, von Goethe zu Schopenhauer, haben seine Opern auf der Bühne gesehen oder zumindest die Musik gehört und sich dazu geäußert;
Gier, Albert
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Hanslick, Eduard

, 2001
* 11.9.1825 Prag, † 6.8.1904 Baden bei Wien/NÖ. Musikkritiker, -ästhetiker und -historiker.
openaire   +3 more sources

Què significa la música? Una aproximació a la dimensió comunicativa de l'experiència musical [PDF]

, 2013
En el següent article s’ofereix una reflexió al voltant del fenomen musical com un element de comunicació individual i col·lectiva. Per a aquesta fi, s’exposen diferents mirades sobre els processos de significació que es donen a terme en el discurs ...
Cabedo-Mas, Alberto
core   +1 more source