Musicologica Austriaca, 2018 This article deals with Eduard Hanslick’s aesthetic classic 'Vom Musikalisch-Schönen' (“On the Musically Beautiful”), or VMS, regarding both the text itself and its most important contexts. We first give an overview of the history of relevant scholarship
Christoph Landerer, Alexander Wilfing
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Boston University Chamber Orchestra, September 30, 2002 [PDF]
, 2002 This is the concert program of the Boston University Chamber Orchestra performance on Monday, September 30, 2002 at 8:00p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Symphony No. 34 in C Major, K. 388 by Wolfgang Amadeus Mozart
School of Music, Boston University
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EDUARD HANSLICK: “THE BEAUTIFUL IN MUSIC” – AN AESTHETICS OF THE ABSOLUTE MUSIC
Studia Universitatis Babeş-Bolyai. Musica, 2011 Around the middle of the 19th century, musical critic and professor of Vienna University, Eduard Hanslick, was going to publish a polemical treatise about musical aesthetics entitled The beautiful in music, proclaiming the necessity of a substantial ...
Attila FODOR
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Child's music education and the contemporary classical music [PDF]
, 2010 Apesar de teóricos e pedagogos defenderem a introdução de distintas tipologias musicais na educação da criança, a música erudita contemporânea raramente é trabalhada.
Porto, Susana
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Review "Markéta Štědronská: August Wilhelm Ambros"
Musicologica Austriaca, 2019 No abstract provided.
Thomas Grey
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, 2012 Philosophers of music commonly distinguish performative from critical interpretations. I would like to suggest that the distinction between critical and performative interpretations is well captured by an analogy to legal critics and judges.
Neufeld, Jonathan A.
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Lee Rothfarb and Christoph Landerer, Eduard Hanslick’s ‘On the Musically Beautiful’: A New Translation, New York: Oxford University Press 2018 / Alexander Wilfing, Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen (= Wiener Veröffentlichungen zur Musikwissenschaft, Bd. 49), Wien: Hollitzer 2019 [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 Benedict Taylor
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Evolution versus Authenticity: Johannes Brahms, Robert Franz, and Continuo Practice in the Late Nineteenth Century [PDF]
, 2006 The early-music revival provoked much heated debate in the second half of the nineteenth century. The leading scholars of the era, Philipp Spitta and Friedrich Chrysander were keen to encourage performances and editions of early music that presented it ...
Kelly, Elaine
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Boston University Symphony Orchestra, October 2, 2001 [PDF]
, 2001 This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, October 2, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Short Ride in a Fast Machine" by John Adams, Four
School of Music, Boston University
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