Results 41 to 50 of about 2,827 (151)

Hanslick, Kant, and the Origins of 'Vom Musikalisch-Schönen'

Musicologica Austriaca, 2018
Recent scholarship on musical aesthetics, notably in analytical philosophy of music, commonly identifies the main ideas of Eduard Hanslick’s 'Vom Musikalisch-Schönen' (“On the Musically Beautiful”, 1854) with Kant’s 'Kritik der Urteilskraft' (“Critique ...
Alexander Wilfing
doaj  

Eduard Hanslick e o Belo Musical

Discurso, 2007
Os estudos acerca da estética musical de Eduard Hanslick geralmente enfatizam sua tese negativa, causadora de inúmeras controvérsias e discussões. A investigações de sua tese positiva é geralmente deixada de lado pelos musicólogos. Neste artigo são discutidos não apenas os fundamentos da tese negativa, mas também os da tese positiva, bem como as noções
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Emotions of subject and object affect beauty differently for images and music. [PDF]

J Vis, 2023
Bruns A, Pombo M, Ripollés P, Pelli DG.
europepmc   +1 more source

Música y semántica: de la hermenéutica a la semiótica musical. Una panorámica abierta al s. XXI [PDF]

, 2016
En el curso de los últimos años, la noción de significación en música ha sido objeto de numerosos estudios e investigaciones. En este artículo trazamos una perspectiva histórica crítica de la evolución de las investigaciones en significación musical ...
Minguet, Vicent
core  

Convention And Difference [PDF]

, 2005
The claim that music is language may be oft repeated, but it remains wholly unenlightening unless a sufficient explanation of one of these terms has already been given.
Duits, Rufus
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A. W. Ambros and F. P. G. Laurencin: Two Antiformalistic Views on the Viennese Musical Life of the 1870s?

Musicologica Austriaca, 2015
In the 1870s, both August Wilhelm Ambros and Ferdinand Peter Graf Laurencin worked as reviewers of music in Vienna: Ambros had regularly been writing for the Wiener Zeitung since 1872, and Laurencin was, among other things, a Viennese correspondent for ...
Markéta Štědronská
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Aesthetic Response [PDF]

, 2006
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic experience. aesthetic judgement. aesthetic choice, affective response, musical appreciation, musical preference, musical taste) that have been employed in ...
Barrett, MS
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The Art of the Piano, February 7, 2007 [PDF]

, 2007
This is the concert program of The Art of the Piano performance on Wednesday, February 7, 2007 at 5:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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“Venid a suspirar al verde prado”: saudade e melancolia em uma canção ibérica (séc. XVI) [PDF]

, 2015
This article by employing the use of musical analysis, investigating the possibility of music porting an objective basis for the production of sensations, feelings and meanings. Thus, it is inscribed in the traditional discussion, often engendered by neo-
Costa Silva, José Eduardo
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The nonsense of music [PDF]

, 1973
Inaugural lecture delivered at Rhodes UniversityRhodes University Libraries ...
Mayr, Rupert Eirch
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