Results 61 to 70 of about 2,827 (151)
The same, only different: what can responses to music in autism tell us about the nature of musical emotions? [PDF]
Front Psychol, 2013 Allen R, Walsh R, Zangwill N.
europepmc +1 more source
A experiência de representações musicais - Da Capo [PDF]
, 2011 O modelo de levantamento das características que, em princípio, caracterizam a arte, em geral, e a música, em particular, assume, quase sempre, a forma de uma reductio. Se retirarmos todas as características que são comuns quer aos objectos de arte quer
Moura, Vítor
core
Tonally moving forms – Peter Kivy and Eduard Hanslick’s ‘enhanced formalism’
Principia, 2016 In this paper, I argue for an implicit version of ‘enhanced formalism’ in Eduard Hanslick´s aesthetics, usually misread as ‘extreme’ formalism devoid of any positive account of emotion and music. I outline ‘enhanced formalism’ in its contemporary incarnations (Davies, Kivy), explore certain common features with Hanslick’s approach, and finally explain ...
openaire +2 more sources
Music-Evoked Emotions-Current Studies. [PDF]
Front Neurosci, 2017 Schaefer HE.
europepmc +1 more source
Stimulating Music: The Pleasures and Dangers of "Electric Music," 1750-1900. [PDF]
Configurations, 2011 Kennaway J.
europepmc +1 more source
From sensibility to pathology: the origins of the idea of nervous music around 1800. [PDF]
J Hist Med Allied Sci, 2010 Kennaway J.
europepmc +1 more source
Musik bei Ludwig Wittgenstein – Polyphonie – Vexierbilder – sinnvolle Unregelmäßigkeit [PDF]
, 2013 Eggers, Katrin
core +1 more source
Letter from Chicago: Neither fish nor fowl. [PDF]
Br Med J (Clin Res Ed), 1981 Dunea G.
europepmc +1 more source