Results 71 to 80 of about 131,559 (196)

Recent studies of the Hexham Abbey painting collection [PDF]

open access: yes, 2019
A recount of the latest work on the collection and the analysis of the medieval paintings of Hexham Abbey is provided. Medieval pigments of the panel paintings such as blue azurite pigment and post-1840 restoration substitute pigments such as French ...
Kelsey, Thomas, Theodorakopoulos, Charis
core  

On the Painting Techniques of Ancient Egyptian Funeral Artefacts

open access: yesCHIMIA, 2001
The painting techniques of several ancient Egyptian funeral objects were analysed, prior to conservation treatment. To determine a conservation treatment, it is a priority and necessity to identify the binding media (and possible consolidants ...
Anne Rinuy
doaj   +2 more sources

Scientific investigation by technical photography, OM, ESEM, XRF, XRD and FTIR of an ancient Egyptian polychrome wooden coffin

open access: yesConservar Património, 2017
The focus of this study is to use a multi-analytical approach to map and identify the pigments used on a polychrome wooden coffin (Late Period), as well as to provide a deeper understanding of the painting techniques and the condition of the object ...
Ahmed Abdrabou   +2 more
doaj   +1 more source

Untersuchungen an römischen Wandmalereien

open access: yesCHIMIA, 1968
Fragments of Roman wall painting from Switzerland have been investigated by electron microscopy, X-ray and electron diffraction, electron microprobe analysis and by X-ray fluorescence spectroscopy. X-ray fluorescence showed that the significant elements
R. Giovanoli
doaj   +1 more source

A Multi-instrument Investigation of Pigments, Binders and Varnishes from Egyptian Paintings (AD 1300-1900): Molecular and Elemental Analysis Using Raman, GC-MS and SEM-EDX Techniques [PDF]

open access: yes, 2009
The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons and Islamic wooden ceilings, dating from 1300-1900 using multiinstrumental techniques.
Abdel-Ghani, Mona H.
core  

Egyptian Blue

open access: yes
<p dir="ltr">This video is made with one continuous shot of light (the sky) reflected on a water surface (the sea) that gradually transforms from a rather busy to a more contemplative state.</p><p dir="ltr">The title Egyptian Blue refers to the pigment used in ancient Egypt, an intense blue (very similar to the intense blue of the ...
openaire   +1 more source

The Application of Cathodoluminescence (CL) for the Characterization of Blue Pigments

open access: yesHeritage
The combined application of Cathodoluminescence (CL) with Scanning Electron Microscopy (SEM) on paintings and painted surfaces has the potential to identify both organic and inorganic pigments on a micrometre or even nanometre scale.
Eleni Palamara   +5 more
doaj   +1 more source

Estudio arqueométrico comparativo de muestras de pinturas con azul egipcio, procedentes de la tumba de Nefertari siglo XIII a.C. y del Balneum, termas romanas, siglos I a.C., I d.C.

open access: yesBoletín de la Sociedad Española de Cerámica y Vidrio, 2011
In the present work have studied two samples with the same pigment, Egyptian Blue, but from different sources. The difference between them is caused by the functionality.
Criado Portal, A. J.   +6 more
doaj   +1 more source

Butterflies and Rebirth

open access: yes, 2017
During the Renaissance, collectors saw Morpho butterflies as beautiful, elegant, and rare creatures. Their exotic origin and sophistication made these fascinating creatures the subjects of scientific observation, decoration, and symbolism. Butterflies of
Brown, Meredith E.
core  

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