Results 151 to 160 of about 3,505 (199)

A new twist in the evolution of chameleons uncovers an extremely specialized optic nerve morphology. [PDF]

open access: yesSci Rep
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The National Museum of Egyptian Civilization

Museum International, 2005
(2005). The National Museum of Egyptian Civilization. Museum International: Vol. 57, No. 1-2, pp. 24-30.
exaly   +2 more sources

The Egyptian Museum

Museum International, 2005
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Egyptian museums and storehouses

2020
This article will focus on the history and current nature of both Egyptian museums and storehouses. We will present an account of the current situation with regard only to archaeological and historical museums and storehouses in Egypt which are under the Antiquities authorities.
Maher A. Eissa, Ashraf el-Senussi
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The Museum Trail: The Luxor Museum of Ancient Egyptian Art

The Biblical Archaeologist, 1985
Luxor, the site of the ancient city of Thebes, is in a region where much important archaeological work has been done.
Lisa Sabbahy, Fattah Sabbahy
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Digital Museums, Digitized Museums. The case of the Egyptian Museum in Turin

2019
Through the use of digital technologies applied to museum goods, the research aims to investigate possible relationships between container - building - and content - collections - to identify useful procedures for monitoring the rooms already set up and the foreshadowing of fluxes in rooms subject to future transformations.
lo turco, m. calvano
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THE EGYPTIAN COLLECTION OF THE MUSEUM OF SLAVONIA AND ITS DONORS

2020
This paper will present the formation of the Egyptian Collection of the Museum of the Free and Royal City of Osijek, the present-day Museum of Slavonia in Osijek, established by the donation of an Egyptian artefact – a faience amulet of the God Shu – donated by Ludwig H. Fischer in 1893.
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Vitruvian Character: The Case of the Egyptian Museum

International Journal of Architectural Research: ArchNet-IJAR, 2014
In Vitruvius’ treatise, what makes good architecture is its ability to communicate to the public particular messages that reflects the program of the building with spaces and components arranged in an orderly way. According to Vitruvius these messages when acknowledges by the public the building posses strong character.
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