Results 91 to 100 of about 1,057 (116)

Miguel John Versluys, ed. Beyond Egyptomania. Objects, Styles and Agency

2021
Review of: Miguel John Versluys (ed.), Beyond Egyptomania. Objects, Styles and Agency. Studien aus dem Warburg-Haus 21. De Gruyter, Berlin 2020, 361 pages, illustrations, ISBN: 9783110564259 , 3110564254 , 978-3-11-056584 ...
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Aegyptiaca and Various Forms of Egyptomania in Croatia

2017
This paper discusses various elements of Aegyptiaca and Egyptomania at the historical territory of the modern Croatia, dating from the 1st Millennium BCuntil the modern day, namely: 1. Aegyptiaca during the Roman Empire, present in the Amphitheatre in Pula and the Diocletian Palace in Split.2.
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‘Young Memnon’ and Romantic Egyptomania

2002
Abstract Between December 1817 and January 1818 two Egyptian statues appeared before the British public. One was a 7-ton antique bust carved out of red and black granite brought from Thebes; the other, miniaturized within the fourteen lines of Shelley’s sonnet ‘Ozymandias’ was first published in The Examiner, no. 524 on 11 January 1818.
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Modern Egyptomania and Early Egyptology: The Case of Mariette’s 1867 Egyptian Temple

Nineteenth-Century Contexts, 2018
Certainly, as an archaeologist, I would be inclined to blame these useless displays that do not do science any good; but if the Museum thus presented appeals to those for whom it is designed, if th...
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Aida, Egyptomania, and the After-life of Grand Opera

2020
Abstract This chapter explores three related themes present in Giuseppe Verdi’s Aida: the nexus between the imaginative display of the flute and the wider nineteenth-century fascination with ancient Egypt; Verdi’s turn to the affective poetics of phantasmagoria—its focus on loss, mourning and consolation—as he mobilized grand opera for ...
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Egyptomania and the Empire State

2018
Peter Lacovara, Andrew Oliver
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Egyptomanias

American Journal of Archaeology, 1997
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Egyptomania and Exoticism in Britain and France: Western Hegemony and Cultural Appropriation

2015
In Egypt's sandy silence, all alone, Stands a gigantic Leg, which far off throws The only shadow that the Desert knows:— "I am great OZYMANDIAS," saith the stone, "The King of Kings; this mighty City shows "The wonders of my hand."— The City's gone,— Nought but the Leg remaining to disclose The site of this ...
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'EGYPTOMANIA' AND AMERICAN ARCHITECTURE

2012
Richard A. Fazzini, Mary E. McKercher
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EGYPTOMANIA!

2009
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