Joseph Banks and Charles Blagden: cultures of advancement in the scientific worlds of late eighteenth-century London and Paris. [PDF]
Wills H.
europepmc +1 more source
Abstract In this essay the author examines what Dietrich Bonhoeffer meant when he wrote from prison to his friend Eberhard Bethge and said that he wanted to retrieve “aesthetic existence” in the life of the church as a sphere of freedom. This is related to what he also told Bethge, namely, that it is “only as we hold fast to Christ as cantus firmus ...
John W. de Gruchy
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Black Humanism: Sameness and Difference in Being Human and Being Black in the United Kingdom
Abstract This essay outlines a variety of responses to a central question pertaining to Black humanism: namely, what does it mean to be a Black human, given the existence of systemic racism within the Body of Christ and in many White majority societies in the African Diaspora, in this case, within the United Kingdom of Great Britain?
Anthony G. Reddie
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Teaching the Polyamorous (Long) Eighteenth Century
Christopher Nagle
doaj
Variability in DNA Methylation and Generational Plasticity in the Lombardy Poplar, a Single Genotype Worldwide Distributed Since the Eighteenth Century. [PDF]
Vanden Broeck A +8 more
europepmc +1 more source
Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
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"The History of Half the Sex": Fashionable Disease, Capitalism, and Gender in the Long Eighteenth Century. [PDF]
Lawlor C.
europepmc +1 more source
More Than Regulation: Challenging Habermas on the Future of the Public Sphere
Journal of Social Philosophy, EarlyView.
Bernardo Ferro
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Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form
ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
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