Results 41 to 50 of about 607 (156)
Shakespeare, the Ekphrastic Translator
Linguaculture, 2015 In The Rape of Lucrece, the Shakespearean heroine admires a wall-painting illustrating a scene from the Trojan War. The two hundred lines of the poem in which Lucrece describes the ancient characters involved in the war represent a remarkable piece of ...
Brînzeu Pia
doaj +1 more source
Titian's Bacchus and His Two Loves
Renaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
wiley +1 more source
Powrót do ekfrazy. Próba systematyzacji oraz propozycja typologii
Teksty Drugie, 2018 Słodczyk takes a comparative approach to re-examine our understanding of ekphrasis and to propose an operational typology. First she draws on influential definitions of ekphrasis by scholars such as Spitzer, Hollander, Krieger, Heffernan, Mitchell ...
Rozalia Słodczyk
doaj
Features of Ekphrasis in Victor Slavkin’s Play «The Picture»
Известия Южного федерального университета: Филологические науки, 2020 Taking into account the achievements of modern Intermedia practices, the article analyzes Victor Slavkin’s one-act play «The Picture» (1982) in the context of the interaction of literature and painting.
Dmitry V. Goryunov +1 more
doaj +1 more source
The role of verbal painting in Leonid Leonov’s novel “Russian Forest”
RUDN Journal of Studies in Literature and Journalism, 2023 L.M. Leonov dreamed of becoming an artist and the painter’s talent was embodied in his prose. His landscapes, portraits, portraits against the background of a forest in the tradition of, for example, M.V.
Lina Shi, Irina G. Mineralova
doaj +1 more source
PAINTING HISTORY: PICTURE, WITNESS, AND ANCIENT HISTORIOGRAPHY
History and Theory, Volume 63, Issue 3, Page 403-431, September 2024.ABSTRACT This article treats an analogy that is used persistently in the history of historiography: the equation of historiography with painting and the identification of the historiographer with the painter. In examining the conceptual stakes of this (auto)identification, the article mobilizes the analogy in order to explore larger issues of ...
LUUK DE BOER
wiley +1 more source
Tidskrift för Litteraturvetenskap, 2018 Poetry, Media and the Pain of Others. On Some Ekphrases in Ghayath Almadhoun’s and Marie Silkeberg’s poems The article discusses ekphrases and the mediations of the pain of others in the poetry of Ghayath Almadhoun and Marie Silkeberg.
Hans Kristian S. Rustad
doaj +1 more source
Anna Letitia Barbauld's Insect Poetics
Journal for Eighteenth-Century Studies, Volume 47, Issue 2, Page 185-203, June 2024.Abstract This article reads Anna Letitia Barbauld's affective encounter in ‘The Caterpillar’ (1825) in the light of her broader entomological writing for both adults and children. It investigates the recommendations for attention to the small and the particular in her didactic work alongside the narratives of insect subjectivity and insect ...
Rosalind Powell
wiley +1 more source
The Voices of Silent Film: Forms of Ekphrasis and Iconotext in Melania Mazzucco’s «Silenzio»
GriseldaonlineIn Silenzio. Le sette vite di Diana Karenne by Melania Mazzucco, it becomes clear from the outset that photography, silent film and narrative mechanisms related to the visual, play a structuring role in the novel.
Nerida Woodhams Bertozzi
doaj +1 more source
C21 Literature: Journal of 21st-century Writings, 2023 Review of Ekphrasis, Memory, and Narrative After Proust: Prose Pictures andRecollections (2023) by Leonid Bilmes.
Omid Bagherli
doaj +2 more sources