Results 41 to 50 of about 3,801 (197)

MUSICAL EKPHRASIS IN THE SERBIAN NOVEL OF THE LATE 20TH – EARLY 21ST CENTURY (THE EXPERIENCE OF A. GATALICA, M. PAVIĆ, G. PETROVIĆ AND G. ĆIRJANIĆ)

open access: yesFilolog, 2022
The multifaceted interrelationships of the various media are now considered to be a particular productive area of comparative strategy. The generalised typology among the types of intermedia at the present stage is considered to be the most fruitful and
Natalia Bilyk
doaj   +1 more source

Re‐Presentation and Repurposing: Curating Climate Realism in Ben Lerner's 10:04

open access: yesFuture Humanities, Volume 3, Issue 2, November 2025.
ABSTRACT Realism, according to recent criticism, is deemed as too rooted in the present, unable to comprehend the potential effects of climatic disaster and imagine new political and organisational responses to vast ecological changes. Instead, the future‐orientated genre of science fiction is much better suited to answering the questions that climate ...
Matthew Lear
wiley   +1 more source

The Paradox of Romantic Ekphrasis. Metacritic Discourse, Perception and Imagination in Art Description [PDF]

open access: yes, 2017
Ekphrasis is a text genre based on the intertwining of visual and verbal features, involving the processes of both reading, and priming a visual image or a related action. We argue in this study that this genre, which has been object of many disputes and
Renata Gambino, Grazia Pulvirenti
core   +1 more source

“An Illustration in…Every Corner of the Room”: Ekphrasis in Jane Austen’s Novels

open access: yes, 2022
The purpose of this dissertation is to fill a curious lacuna in Austen Studies: a thorough investigation and analysis of ekphrasis in Jane Austen’s work.
Cohen, Sharon
core  

Audio description for all? The benefits and concerns of extending access provision to sighted people

open access: yesCurator: The Museum Journal, Volume 68, Issue 2, Page 387-403, April 2025.
Abstract Audio description (AD) is an established part of museums' access programs for blind and partially blind (BPB) people. This paper explores the merits and caveats regarding “AD for all”, rolling out the provision for sighted people as well.
Ellen Adams
wiley   +1 more source

Titian's Bacchus and His Two Loves

open access: yesRenaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.
Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
wiley   +1 more source

Ecphrasis as a Transcultural Marker

open access: yesPolylinguality and Transcultural Practices
The study draws the attention of philologists (literary scholars and linguists) and cultural scientists to the technique of ekphrastic description, which was actualized in literary works of the 20th - 21st centuries, and which, in the context of multi ...
Eleonora F. Shafranskaya   +2 more
doaj   +1 more source

Powrót do ekfrazy. Próba systematyzacji oraz propozycja typologii

open access: yesTeksty Drugie, 2018
Słodczyk takes a comparative approach to re-examine our understanding of ekphrasis and to propose an operational typology. First she draws on influential definitions of ekphrasis by scholars such as Spitzer, Hollander, Krieger, Heffernan, Mitchell ...
Rozalia Słodczyk
doaj  

Shakespeare, the Ekphrastic Translator

open access: yesLinguaculture, 2015
In The Rape of Lucrece, the Shakespearean heroine admires a wall-painting illustrating a scene from the Trojan War. The two hundred lines of the poem in which Lucrece describes the ancient characters involved in the war represent a remarkable piece of ...
Brînzeu Pia
doaj   +1 more source

PAINTING HISTORY: PICTURE, WITNESS, AND ANCIENT HISTORIOGRAPHY

open access: yesHistory and Theory, Volume 63, Issue 3, Page 403-431, September 2024.
ABSTRACT This article treats an analogy that is used persistently in the history of historiography: the equation of historiography with painting and the identification of the historiographer with the painter. In examining the conceptual stakes of this (auto)identification, the article mobilizes the analogy in order to explore larger issues of ...
LUUK DE BOER
wiley   +1 more source

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