Results 41 to 50 of about 87 (75)
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La traves?a de Ofelia y las tres pruebas en El Laberinto del Fauno de Guillermo del Toro
2022[EN] The case studies in this volume assess the transformations undergone by the Gothic genre since the 1970s until today within the fields of fiction, the visual arts and other forms of popular culture. Special emphasis falls into the patterns of influence, appropriation and reformulation in the works under assessment, as well as the durability of ...
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2014
Despite the disparity of the different fields and geographical locations in which Guillermo del Toro works (in the Mexican and Spanish film industries and in an increasingly globally dispersed Hollywood), the horror genre has characterized the majority of his work as director, producer, writer, curator, and film advocate to date.
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Despite the disparity of the different fields and geographical locations in which Guillermo del Toro works (in the Mexican and Spanish film industries and in an increasingly globally dispersed Hollywood), the horror genre has characterized the majority of his work as director, producer, writer, curator, and film advocate to date.
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Bulletin of Hispanic Studies, 2011
Partiendo del concepto de James Wertsch, 'collective remembering', propongo analizar El espiritu de la colmena (1973) y El laberinto del fauno (2006) como narrativas que mediatizan y reconstruyen el recordar colectivo de la Espana de la posguerra. Mediante el analisis de los elementos basicos de las funciones referencial y dialogica que Wertsch propone
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Partiendo del concepto de James Wertsch, 'collective remembering', propongo analizar El espiritu de la colmena (1973) y El laberinto del fauno (2006) como narrativas que mediatizan y reconstruyen el recordar colectivo de la Espana de la posguerra. Mediante el analisis de los elementos basicos de las funciones referencial y dialogica que Wertsch propone
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Bulletin of Spanish Studies, 2012
Abstract El laberinto del fauno (Guillermo del Toro, 2006) offers a vision of post-Civil War Spain halfway between history and myth. The film denounces Francoist violence from the perspective of gender division, presenting victimized or rebellious women and men who represent extremely violent versions of patriarchy.
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Abstract El laberinto del fauno (Guillermo del Toro, 2006) offers a vision of post-Civil War Spain halfway between history and myth. The film denounces Francoist violence from the perspective of gender division, presenting victimized or rebellious women and men who represent extremely violent versions of patriarchy.
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Integrative oncology: Addressing the global challenges of cancer prevention and treatment
Ca-A Cancer Journal for Clinicians, 2022Jun J Mao,, Msce +2 more
exaly
Pan’s Labyrinth (El laberinto del fauno) (review)
Journal of American Folklore, 2008openaire +1 more source
Multidisciplinary standards of care and recent progress in pancreatic ductal adenocarcinoma
Ca-A Cancer Journal for Clinicians, 2020Aaron J Grossberg +2 more
exaly

