Results 171 to 180 of about 5,051 (212)
Some of the next articles are maybe not open access.
Ein Trauerspiel des SophoklesNebst Pindars erster Ode. Aus dem Griechischen [von. J. J. Steinbrüchel] ; Nebst Pindars erster Ode / Aus dem Griechischen [von. J. J. Steinbrüchel]
Sophocles, Pindarus
+8 more sources
Sophocles, Pindarus
+8 more sources
1994
Abstract FARMER Age-old valley of my shining land, how yciur rivers gleamed as they saw war launched in a thousand ships when Lord Agamemnon sailed against Troy. And after he’d killed Troy’s ruler, Priam, and burnt and leveled that famous city, he came back to Argos to hang many spoils seized from those barbarians high on our temple ...
Janet lembke, kenneth J Reckford
openaire +2 more sources
Abstract FARMER Age-old valley of my shining land, how yciur rivers gleamed as they saw war launched in a thousand ships when Lord Agamemnon sailed against Troy. And after he’d killed Troy’s ruler, Priam, and burnt and leveled that famous city, he came back to Argos to hang many spoils seized from those barbarians high on our temple ...
Janet lembke, kenneth J Reckford
openaire +2 more sources
2001
Abstract You are his son! Your father marshaled the armies at Troy once - child of Agamemnon: look around you now. Here is the land you were longing to see all that time. Ancient Argos. You dreamed of this place. The grove of lo, where the gadfly drove her. Look, Orestes. There is the marketplace named for Apollo, wolfkiller god.
Anne Carson, Michael Shaw
openaire +1 more source
Abstract You are his son! Your father marshaled the armies at Troy once - child of Agamemnon: look around you now. Here is the land you were longing to see all that time. Ancient Argos. You dreamed of this place. The grove of lo, where the gadfly drove her. Look, Orestes. There is the marketplace named for Apollo, wolfkiller god.
Anne Carson, Michael Shaw
openaire +1 more source
The Carleton Drama Review, 1956
In the Aeschylean version of the material with which Sophocles is dealing in his Electra, there appear a few important characteristics the awareness of which lends perspective to the Sophoclean tragedy.
openaire +1 more source
In the Aeschylean version of the material with which Sophocles is dealing in his Electra, there appear a few important characteristics the awareness of which lends perspective to the Sophoclean tragedy.
openaire +1 more source
1992
Abstract The agon in Electra resembles the scenes discussed in the previous chapter in that it involves two persons, who are closely related to each other. The resemblance to Hippolytus is especially striking, where the agon also comes towards the end of the play, is part of a larger structure rather than occupying a complete act, and ...
openaire +1 more source
Abstract The agon in Electra resembles the scenes discussed in the previous chapter in that it involves two persons, who are closely related to each other. The resemblance to Hippolytus is especially striking, where the agon also comes towards the end of the play, is part of a larger structure rather than occupying a complete act, and ...
openaire +1 more source
1994
Abstract Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the ...
Janet lembke, kenneth J Reckford
openaire +1 more source
Abstract Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the ...
Janet lembke, kenneth J Reckford
openaire +1 more source
An emotional classification method of Chinese short comment text based on ELECTRA
Connection Science, 2022Shunxiang Zhang
exaly
Where Is Electra In Sophocles’ Electra?
2009Each drama generates its own set of significant spaces which may have connotations enriched by internal action of the play or by external knowledge of audience, and these spaces may in turn contribute to the meaning of a character or response of an audience.
openaire +1 more source