Results 161 to 170 of about 1,353,894 (202)

The analysis of electroacoustic music: Introduction

Journal of New Music Research, 1998
(1998). The analysis of electroacoustic music: Introduction. Journal of New Music Research: Vol. 27, Analysis of Electroacoustic Music, pp. 3-12.
Lelio Camilleri, Denis Smalley
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Brazilian Electroacoustic Music Concert

Computer Music Journal, 1997
made up of complex, jagged, distorted sounds. Its dynamic, almost melodramatic nature is exaggerated by the use of industrial noises and of "dirty" sources that are granulated beyond recognition. The pieces fit together to make a strong experience of communication, of a "message," to use the title of another of Mr. Roads's pieces.
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ElectroAcoustic Music

Computer Music Journal, 1996
James Bohn, Roger Reynolds
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The Language of Electroacoustic Music

Computer Music Journal, 1987
Ernest Lee Hammer, Simon Emmerson
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With Love: Electroacoustic, Audiovisual, and Telematic Music

2023
Paulo C. Chagas, Cássia Carrascoza Bomfim   +1 more
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The Interaction of Sound Identities in Electroacoustic Music.

2011
Electroacoustic music technology allows for the creation of distinctive ‘hybrid’ interactions between sounds, since features defining the identity of one sound object (such as dynamic profile or spectral envelope) can be fused with or imposed on those of another. The spectromorphological features of a sound that remain invariant or recognisable through
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Aesthetics and Electroacoustic Music

Computer Music Journal, 1997
Karl Kaiser, Academie Bourges
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Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music

2018
Histories of electroacoustic music tend to converge around a limited set of grand narratives, which construct an outline of electroacoustic history organized around themes including the 'Great Studios', a small handful of 'Great Composers' (Stockhausen, Schaeffer, Berio, Cage...), and contrast and conflict between 'Great Nations' – primarily, between ...
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Trends in electroacoustic music

2007
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Electroacoustic Music

2019
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