Results 71 to 80 of about 38,246 (216)

Ragnarøk: An Elegy

Names, 2016
In a world where names of cosmic significance are daily degraded to the level of mere lexis, Ragnarøk long remained above the fray. Now, it too has lost its onomastic grandeur as meaning ‘the fall of the gods and civilization after an all-inclusive ...
Michael Adams
doaj   +1 more source

Naïve and sentimental character: Schiller’s poetic phenomenology [PDF]

, 2018
[Excerpt] "Poets are, by definition, “the preservers of nature,” but when they can no longer completely be so, they serve as its witnesses” and “avengers.” In the former case, they are natural; in the latter, they seek the lost nature. In the former case,
Dahlstrom, Daniel
core  

Light Tactics: The Poem as Index

Critical Quarterly, Volume 67, Issue 3, Page 40-56, October 2025.
Kelly Hoffer
wiley   +1 more source

“Estonian Elegy” by Jüri Talvet: A Vision of an Ethnical Perspective via Forgiveness and Love

Interlitteraria, 2011
“Estonian Elegy” by Jüri Talvet: A Vision of an Ethnical Perspective via Forgiveness and ...
Marisa Kërbizi
doaj   +1 more source

The Poetics of the Single Sheet of Paper: From Research to Practice

Critical Quarterly, Volume 67, Issue 3, Page 23-39, October 2025.
Jane Partner
wiley   +1 more source

Stillness in John Fuller’s Corsica

Caliban: French Journal of English Studies, 2017
Séduit depuis toujours par le monde méditerranéen, le poète contemporain britannique John Fuller consacre plusieurs textes à la Corse à partir de la fin des années 1980. Fasciné et intrigué par les paysages insolites des tafoni ou des Calanques de Piana,
Aurélien Saby
doaj   +1 more source

Boston University Symphony Orchestra, February 4, 2002 [PDF]

, 2002
This is the concert program of the Boston University Symphony Orchestra performance on Monday, February 4, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Addressing the Bard: Learning Ideas [PDF]

, 2009
The Scottish Poetry Library has published a new, provocative and exciting anthology of Burns poems, launched in the Year of Homecoming and of Burns’s 250th anniversary.
Farrell, M., Niven, L.
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“Genre Memory” as a Category of Comparative Poetics (Based on Elegy in Russian and Tatar Literature of the 2nd half of the 20th - 21st centuries)

Polylinguality and Transcultural Practices
The article considers the “genre memory” as a theoretical notion on the material of elegy established in Russian literature in the 2nd half of the 20th - 21st centuries (A. Dragomoschenko, B. Popov, S. Gandlevsky) and in the works of modern Tatar poets F.
Alsu Z. Khabibullina
doaj   +1 more source

Boston University Chamber Orchestra, October 25, 2010 [PDF]

, 2010
This is the concert program of the Boston University Chamber Orchestra performance on Monday, October 25, 2010 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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