Results 71 to 80 of about 38,341 (218)

Stillness in John Fuller’s Corsica

open access: yesCaliban: French Journal of English Studies, 2017
Séduit depuis toujours par le monde méditerranéen, le poète contemporain britannique John Fuller consacre plusieurs textes à la Corse à partir de la fin des années 1980. Fasciné et intrigué par les paysages insolites des tafoni ou des Calanques de Piana,
Aurélien Saby
doaj   +1 more source

Light Tactics: The Poem as Index

open access: yes
Critical Quarterly, Volume 67, Issue 3, Page 40-56, October 2025.
Kelly Hoffer
wiley   +1 more source

Naïve and sentimental character: Schiller’s poetic phenomenology [PDF]

open access: yes, 2018
[Excerpt] "Poets are, by definition, “the preservers of nature,” but when they can no longer completely be so, they serve as its witnesses” and “avengers.” In the former case, they are natural; in the latter, they seek the lost nature. In the former case,
Dahlstrom, Daniel
core  

The Poetics of the Single Sheet of Paper: From Research to Practice

open access: yes
Critical Quarterly, Volume 67, Issue 3, Page 23-39, October 2025.
Jane Partner
wiley   +1 more source

Boston University Symphony Orchestra, February 4, 2002 [PDF]

open access: yes, 2002
This is the concert program of the Boston University Symphony Orchestra performance on Monday, February 4, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

“Genre Memory” as a Category of Comparative Poetics (Based on Elegy in Russian and Tatar Literature of the 2nd half of the 20th - 21st centuries)

open access: yesPolylinguality and Transcultural Practices
The article considers the “genre memory” as a theoretical notion on the material of elegy established in Russian literature in the 2nd half of the 20th - 21st centuries (A. Dragomoschenko, B. Popov, S. Gandlevsky) and in the works of modern Tatar poets F.
Alsu Z. Khabibullina
doaj   +1 more source

Boston University Chamber Orchestra, October 25, 2010 [PDF]

open access: yes, 2010
This is the concert program of the Boston University Chamber Orchestra performance on Monday, October 25, 2010 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Beyond the footnote: Citation as disruption in creative anthropology

open access: yes
Anthropology and Humanism, Volume 50, Issue 1, June 2025.
Priyanka Borpujari   +8 more
wiley   +1 more source

Hybridism and Self-Reconstruction in Joyce Carol Oates’s A Widow’s Story

open access: yesEuropean Journal of American Studies, 2015
This article analyzes Joyce Carol Oates’s hybridism in her 2011 memoir, A Widow’s Story, as a powerful means of self-assertion and self-reconstruction.
Pascale Antolin
doaj   +1 more source

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