Results 21 to 30 of about 8,150 (250)
Emblems: Gestures at the interface
, 2022 Emblems—the THUMBS UP, the HEADSHAKE, the PEACE SIGN, the SHHH—are communicative gestures that have a conventional form and conventional meaning within a particular community. These and other features make them more “word-like” than other gestures.
Lauren Gawne, Kensy Cooperrider
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La sierpe y el cuchillo. Texto e imagen en la reconstrucción de un verso de Lope (El hijo de Reduán)
Criticón, 2010 A note on an enigmatic passage from Lope de Vega’s El hijo de Reduán. Light is shed onto the passage in question taking into account Golden-Age visual culture: in the present case, the image of Time with its attributes such as the knife and the serpent ...
Ignacio Arellano
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Les crimes et châtiments emblématiques à travers l’exemple du drapeau médiéval
Criminocorpus, 2020 Medieval sources often mentioned violence against flags, in a military context or not: these practices can be explained by the importance attached by medieval justice to visual elements in the exercise of punishment.
Julien De Palma
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The Art of Barniz de Pasto and Its Appropriation of Other Cultures
Heritage, 2023 This study analyzes the techniques and decorative motifs of several works made using barniz de Pasto, highlighting their characteristics in order to establish comparisons with artistic phenomena of Asia and Europe. A possible link can be observed between
Yayoi Kawamura
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, 2018 This database contains videos of emblems, rated and named by two groups of raters: one English and one Italian. To cite this database or for further details, such as the ratings and names given by participants, please refer toAgostini, Papeo, Galusca ...
Liuba Papeo (5957385) +3 more
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Szkice emblematów Tomasza Tretera
Terminus, 2021 Tomasz Treter’s Sketchbook of Emblems This edition and translation of the newly discovered emblem designs by Tomasz Treter (1547–1610) is complementary to Alicja Bielak’s article (this issue) on a ...
Anna Treter, Alicja Bielak
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Revue LISA, 2015 Henry Peacham’s book of emblems, Minerva Britanna (1612) is both an artistic achievement and a statement of identity. The artist makes Britishness a central issue in his collection of emblems as well as the essential aim of his art. Not only does Peacham
Julie Corre
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EDMUND SPENSER’S “THE FAERIE QUEEN” AS “CONTINUED ALLEGORY”: FROM EMBLEMATIC AND CONCEITED WRITING TO SYMBOLICAL [PDF]
Studia Litterarum, 2016 The article aims to direct attention of the Russian readers to the rich- ness of Spenser’s allegorical palette in his poem “The Faerie Queene.” The words “allegory” and “symbol” are employed here in their modern sense, with reference to the definitions ...
Elena V. Haltrin-Khalturina
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XVII-XVIII, 2019 Emblems were commonplace in the 16th and 17th centuries. They comprise allegorical engravings and poetic comments, and signify through the particular interaction of both.
Pierre Le Duff
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A Sustainable Bio‐Based Epoxy Thermoset as a High‐Performance Alternative to BPA‐Based Resins
Advanced Science, EarlyView.A rigid–flexible bio‐based epoxy network integrates soybean oil, lignin, and maleic anhydride to overcome the strength–toughness–sustainability trade‐off of conventional BPA epoxy. The thermoset delivers excellent performance as both a structural adhesive and a matrix for glass‐fabric composites, while enabling pH‐responsive degradation, environmental ...
Jiyun Qi +4 more
wiley +1 more source