Social implications arise in embodied music cognition research which can counter musicological ‘individualism’. [PDF]
Frontiers in Psychology, 2014 The agenda in music research that is broadly recognized as embodied music cognition has arrived hand-in-hand with a social interpretation of music, focusing on the real-world basis of its performance, and fostering an empirical approach to musician ...
Nikki eMoran
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Integrated auditory-vocal embodied training for expressive authentic intonation in Chinese zither performance [PDF]
Frontiers in NeuroscienceBackgroundChinese zither music relies on culturally specific microtones (e. g., FA+ and TI–) that differ from Western equal temperament, yet prolonged exposure to standardized tuning often leads to the erosion of these traditional intonation practices ...
He Jiang, Hui Lu
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Exploring Music-Based Rehabilitation for Parkinsonism through Embodied Cognitive Science [PDF]
Frontiers in Neurology, 2015 Recent embodied approaches in cognitive sciences emphasise the constitutive roles of bodies and environment in driving cognitive processes. Cognition is thus seen as a distributed system based on the continuous interaction of bodies, brains, and ...
Andrea eSchiavio, Eckart eAltenmüller
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Embodied Cognition, Perception, and Performance in Music
Empirical Musicology Review, 2015 In this response to Leman and Maes’s paper in this issue, we raise a couple of concerns about the authors’ particular approach to embodied music cognition, drawing selectively on their other writings to enrich our interpretation of this target article ...
Andrew Geeves, John Sutton
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Origin of music and embodied cognition [PDF]
Frontiers in Psychology, 2015 Leonid ePerlovsky
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Embodied Music Cognition: Trouble Ahead, Trouble Behind. [PDF]
Front Psychol, 2016 Matyja JR.
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Editor’s Note: Introduction to Special Issue on Music and Embodied Cognition
Empirical Musicology Review, 2015 THIS issue, broken into two volumes (Vol. 9, No. 3-4, 2014), offers a unique contribution to contemporary research on embodied approaches to music perception and related phenomenon. While the role of the body has often been acknowledged in a variety of disciplinary contexts, particularly in the domain of music performance, the 4E movement in cognitive
Kevin J. Ryan JR.
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Music as Fluidum: A Rheological Approach to the Materiality of Sound as Movement Through Time [PDF]
Behavioral SciencesMusic is an elusive phenomenon with sounds that disappear while sounding. This challenges the description of the music and its processing by the listener or performer.
Mark Reybrouck
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Evolutionary Musicology Meets Embodied Cognition: Biocultural Coevolution and the Enactive Origins of Human Musicality [PDF]
Frontiers in Neuroscience, 2017 Despite evolutionary musicology's interdisciplinary nature, and the diverse methods it employs, the field has nevertheless tended to divide into two main positions.
Dylan van der Schyff +4 more
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Voluntary musical imagery in music practice: contextual meaning, neuroscientific mechanisms and practical applications [PDF]
Frontiers in PsychologyPractice is acknowledged as a crucial facilitator for musicians to achieve performance excellence. Despite the rich literature on incorporating musical imagery intentionally to improve one’s practice efficacy, limitations remain in the understanding of ...
Chen Meng, Geoff Luck
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